…I Care Because You Do | ||||
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Studio album by Aphex Twin | ||||
Released | 24 April 1995 | |||
Recorded | 1990–94 | |||
Genre | ||||
Length | 63:49 | |||
Label | Warp | |||
Aphex Twin chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Entertainment Weekly | A− |
The Guardian | |
Rolling Stone | |
Select | 4/5 |
Spin | 8/10 |
The Sydney Morning Herald |
...I Care Because You Do is the third studio album by English electronic musician Richard D. James under the alias Aphex Twin, released on 24 April 1995. The album contains various tracks recorded by James between 1990 and 1994.
On its release, ...I Care Because You Do peaked at number 24 on the UK Albums Chart. The album received positive reviews on its release, with Entertainment Weekly, Spin, and Rolling Stone finding it a greater album than James' previous work, Selected Ambient Works Volume II (1994).
Each track on ...I Care Because You Do is annotated with a date, revealing that the tracks were created between 1990 and 1994.
Rolling Stone stated that the music on ...I Care Because You Do had "little to do with techno in any of its more popular guises" and that James' music was more appropriately comparable to John Cage or Philip Glass than Moby or The Orb and that the album is where James's music became "denser and stranger". The magazine also noted that the music on the album drew "most strongly from hip-hop. James' trademark is to put rhythm and percussion above all else."Rolling Stone later stated in 2004 that the increasingly active drum backing on the album was inspired by the presence of drum and bass music in the United Kingdom.
...I Care Because You Do was released on 24 April 1995. It was released on vinyl, compact disc and cassette. It charted for two weeks in the United Kingdom peaking at number 24 on the UK Albums Chart....I Care Because You Do was re-issued on vinyl by the record label 1972 on 18 September 2012. Warp also re-issued the album in vinyl with a download card on 8 October 2012.
Select referred to it as James's best album since Surfing on Sine Waves and his "most coherent one to date". The review stated that James had the ability to "make the avant-garde sound pop" and that he "delivers complex contemporary systems music in the most deliciously simple forms".The Sydney Morning Herald gave a positive review, "As ever, his palette of sound is astonishing, his arrangements effective and deliberate"