1993–2003: 1st Decade in the Machines
| 1993–2003: 1st Decade in the Machines | ||||
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| Remix album by Ulver | ||||
| Released | April 29, 2003 | |||
| Genre | Experimental, electronic, ambient | |||
| Length | 78:44 | |||
| Label | Jester Records | |||
| Ulver chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |
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1993–2003: 1st Decade in the Machines is a remix album commissioned by Ulver, issued on April 29, 2003 via Jester Records. The album celebrates Ulver's ten year anniversary and features remixes by Ulver, Alexander Rishaug, Information, The Third Eye Foundation, Upland, Bogdan, Raczynski, Martin Horntveth, Neotropic, A. Wiltzie vs. Stars Of The Lid, Fennesz, Pita, Jazzkammer, V/Vm and Merzbow.
William York, writing for AllMusic rated the album 3.5/5, commented, “It seems clear that some care was put into this CD so that it doesn't appear carelessly thrown together or incoherent like so many remix albums, which is nice. The album flows well and doesn't contain any outright duds or annoying throwaways. On the other hand, it is still just a remix CD, and it will therefore appeal to a limited audience of electronic-era Ulver obsessives and/or die-hard fans of the remix artists.”
Writing for webzine Chronicles of Chaos, Pedro Azevedo rated the album 4.5/10, commenting, “There is much in this disc that sounds anonymous and devoid both of context and interest. Even Ulver's own opening track fails to stand out from the collection, but there are still some very good tracks amidst all this, unrelated as they may sound. Perhaps the purpose of this collection has been achieved; perhaps some people other than the fourteen authors of these remixes will find considerable interest in the entirety of this disc, instead of less than half of it—but for this listener, this compilation as a whole presents insufficient aesthetic and musical value.”
Aversionline rated the album 8/10, commenting. “All in all this is a nice tribute to Ulver. Of course there are some weak moments, but there's really only one completely worthless song here—the rest all have strengths. And if nothing else, I find it interesting to hear how these artist have remixed both Ulver's old and new material to achieve different results. (8/10)”
Writing for webzine, Satan Stole My Teddybear, John Chedsey, adds “Needless to say, this is the first truly unnecessary Ulver release, but thankfully, it's technically not an Ulver release. Remix albums are almost always a waste and there's very little here that would warrant a mad rush to the CD store to demand a copy. This particularly remix album does little to change my opinion of the remix phenomenon. They're the only thing worse and less needed than a tribute album.”
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Wikipedia