Adventures in Modern Recording | ||||
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Artwork by Rory Kee
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Studio album by The Buggles | ||||
Released | 11 November 1981 | |||
Recorded | 1981 | |||
Studio | Sarm East Studios, London, UK | |||
Genre | Progressive rock, synthpop | |||
Length | 34:29 | |||
Label | Carrere Polydor (Distributed in the United States by CBS Records) | |||
Producer | Trevor Horn, Geoff Downes, John Sinclair | |||
The Buggles chronology | ||||
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Singles from Adventures in Modern Recording | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | |
BBC Music | Positive |
The Bolton News | Positive |
Mojo | Positive |
Music Week | Positive |
pennyblackmusic.co.uk | Mixed to positive |
Musician, Player and Listener | Mixed |
The Quietus | Positive |
Record Collector | |
The Scotsman | Positive |
Smash Hits | 5.5/10 |
Adventures in Modern Recording is the second and final studio album by British synthpop duo The Buggles, released in 1981 on Carrere Records. Made one year after their stint as members of Yes, the album contains nine tracks, including a stripped-down version of Yes's "Into the Lens", here entitled, "I Am a Camera". The album as released was mostly a Trevor Horn solo effort, Geoffrey Downes having joined Asia before recording began. Bruce Woolley assisted in completing the tracks.
Adventures in Modern Recording was one of the earliest to use the Fairlight CMI, one of the first digital sampling synthesizers.
Although Adventures suffered commercial failure in the United Kingdom, it did get chart performance in the United States, reaching number 161 on the Billboard 200. Like The Age of Plastic it was positively received by critics. Both "We Can Fly from Here" and "Riding a Tide" (appearing as demos on the 2010 reissue) were rerecorded by Yes (with Horn as producer and Downes on keyboards) for their 2011 studio album Fly from Here.
On 10 January 1980, The Buggles, a duo of Trevor Horn and Geoff Downes, released their debut album The Age of Plastic. Labeled by writers as the first electropop landmark, the album, lyrically both promoting and concerning modern technology, included musical influences and elements of disco, punk, progressive rock and pop music from the 1960s. Four singles were released from the album, one of them including "Video Killed the Radio Star" which topped sixteen international record charts. Reportedly, the album was very difficult to follow up to, but Horn was wanting to see how it would follow.