Aldo Cibic (born 1955 in Schio, Vicenza, Italy) is an Italian designer.
By the age of 22, Aldo was working at the studio of Ettore Sottsass, In 1980, he became a partner of the studio Sottsass & Associati. That same year, in collaboration with Sottsass, Cibic became a founding member of Memphis Group – a collective association dedicated to design and architecture. The Memphis group would remain active until 1987. The Memphis experience led Cibic to assume an experimental approach as his norm.
Towards the end of the 1980s, Aldo began to reflect on a more personal concept of creativity, which inspired the launch of his first independent project. In line with his idea of a more human, less heroic form of design, he choose not only to design objects for the home, but also to sell them, He presented his first self-produced collection, entitled “Standard”, to the public from his loft home in Milan, inaugurating a tradition of impromptu exhibitions, which have since become a means of testing his design projects and continue to guide his research.
He has worked in collaboration with design and architecture schools, starting with the "The Solid Side" initiative, launched in collaboration with Philips Corporate Design at the Domus Academy in the early 1990s, and culminating with the "Microrealities" project presented at the Biennale di Venezia in 2004. These projects revolve around a central theme: the interpretation of sustainability.
For the 12th edition of Biennale di Venezia in 2010, 43 artists were invited, including Aldo Cibic to propose a project called "Rethinking happiness" aimed at creating and enhancing happiness in new communities through 4 unique projects. Aldo Cibic invited architects, agronomists, designers, sociologists and energy consultants for the projects.
His projects, such as "The Solid Side" (1995) and "New Stories New Design" (2002), fostered a dynamic relationship between people and space and offered a new mode of designing places based on social interactions. He continued in this vein in subsequent years with "Microrealities" (2004) and "Rethinking Happiness" (2010). Both were presented at the Venice Architecture Biennale, and both invent contemporary narratives aimed at multiplying opportunities for meetings, exchanges and sharing in community life. In 2015, he curated the Venice Architecture Biennale of the Arts & Crafts exhibition at the Venice pavilion.