Beauty and the Beat | ||||
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Studio album by The Go-Go's | ||||
Released | July 8, 1981 | |||
Recorded | Penny Lane Studios, Record Plant Studios and Sound Mixers Studios, New York City, 1980–1981 | |||
Genre | New wave, pop rock, post-punk | |||
Length | 35:34 | |||
Label | I.R.S. | |||
Producer | Richard Gottehrer, Rob Freeman | |||
The Go-Go's chronology | ||||
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Singles from Beauty and the Beat | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
American Songwriter | |
Mojo | |
Record Collector | |
Rolling Stone | |
The Rolling Stone Album Guide | |
Spin Alternative Record Guide | 10/10 |
The Village Voice | B+ |
Beauty and the Beat is the debut album from Californian new wave band The Go-Go's. Released in 1981 on the I.R.S. Records label, the album was preceded by the single and signature song "We Got the Beat", which became a massive club hit in Europe and, later, the United States. When the album was eventually released, it steadily climbed the Billboard 200 chart, ultimately peaking at number one, where it remained for six consecutive weeks. The LP sold in excess of two million copies and reached double platinum status, making it one of the most successful debut albums of all time. Critically acclaimed, it has been described as one of the "cornerstone albums of American new wave".
The title is a play on the European fairy tale "Beauty and the Beast".
Beauty and the Beat was released to reviews that while positive were not outstanding, especially in light of its eventual summit of the album charts. Robert Christgau found the album good and wrote "this one's got hooks" in his column in The Village Voice. while Jon Pareles in Rolling Stone called it a "solid, likable debut". The album placed 10th on the annual Pazz & Jop Critics Poll in The Village Voice for 1981.
The album has since gained in regard. AllMusic editor Stephen Thomas Erlewine called Beauty and the Beat "one of the cornerstone albums of new wave" and praised its "catchy hooks and an exuberant sense of fun", while Rolling Stone's Warren Zanes wrote that the band "showed that elemental pop rock & roll remained as viable as ever".