"Better Man" | ||||
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Single by Little Big Town | ||||
from the album The Breaker | ||||
Released | October 20, 2016 | |||
Format | ||||
Genre | Country | |||
Length | 4:21 | |||
Label | Capitol Nashville | |||
Songwriter(s) | Taylor Swift | |||
Producer(s) | Jay Joyce | |||
Little Big Town singles chronology | ||||
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Music video | ||||
"Better Man" on YouTube |
"Better Man" is a song written by American singer-songwriter Taylor Swift and performed by American country group Little Big Town, released on October 20, 2016. It served as the lead single from the group's eighth studio album, The Breaker, which was released on February 24, 2017. Its music video was released on November 1, 2016. "Better Man" was first performed live at the 50th CMA Awards on November 2, 2016.
The song was written about the breakup of a relationship by Taylor Swift. According to group member Karen Fairchild, Swift thought of the group because of the harmonies, and sent the song to them.
"Better Man" has a play length of 4 minutes and 22 seconds. The song is in a slow tempo of 72 beats per minute, written with a 4/4 time signature. It is in the key of F major, with a chord pattern of F-C-B♭-B♭2-B♭. Karen Fairchild's lead vocal spans from F3 to B♭4.
An accompanying music video was directed by Becky Fluke and Reid Long and premiered on November 1, 2016. Set in a rural household, the video depicts three generations of single parents whose partners ultimately leave them. The cycle is presumably broken at the end, when Philip Sweet's character has a baby girl and makes an effort to be a better role model.
Kevin John Coyne of Country Universe rated the song "A", saying that "It’s a concept that is grounded in so much truth that I’m amazed I’ve never heard it approached this way before" and "The writers do a great job of capturing both why [the song's narrator] stayed so long and why she had to leave, and all of the conflicting feelings that go along with that."Taste of Country writer Billy Dukes also praised the song, saying that "This song isn’t as jarring as some of the quartet’s most recent hits. In fact, the mistreatment of women is only vaguely alluded to — there’s no one line that burns the hair off the back of your neck. Jay Joyce’s arrangement is soft but not stark. It’s among his more mainstream productions. Still, it’s clear Fairchild’s protagonist is reeling from a love that went very, very wrong."