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Blue Monday (Orgy song)

"Blue Monday"
NewOrderBlueMonday.jpg
Original die-cut sleeve
Single by New Order
from the album Power, Corruption & Lies (American edition only)
B-side "The Beach"
Released 7 March 1983
Format 12"
Recorded 1982
Genre
Length 7:29
Label FactoryFAC 73
Songwriter(s)
Producer(s) New Order
New Order singles chronology
"Temptation"
(1982)
"Blue Monday"
(1983)
"Confusion"
(1983)
"Temptation"
(1982)
"Blue Monday"
(1983)
"Confusion"
(1983)
"Blue Monday"
Single by New Order
B-side "Thieves Like Us"
Released 1985
Format 7"
Recorded 1982
Genre
Length 7:23
Label Tonpress
S-534
Songwriter(s)
Producer(s) New Order
New Order singles chronology
"Blue Monday"
(1985)
"Love Will Tear Us Apart"
(1986)
"Blue Monday"
(1985)
"Love Will Tear Us Apart"
(1986)
"Blue Monday 1988"
Single by New Order
B-side "Beach Buggy"
Released 25 April 1988
Format
Recorded 1982
Genre Alternative dance
Length 4:07 (7") / 7:10 (12")
Label Factory
FAC 73R
Songwriter(s)
Producer(s)
New Order singles chronology
"Touched by the Hand of God"
(1987)
"Blue Monday 1988"
(1988)
"Fine Time"
(1988)
"Touched by the Hand of God"
(1987)
"Blue Monday 1988"
(1988)
"Fine Time"
(1988)
Audio sample
"Blue Monday-95"
Single by New Order
from the album The Rest of New Order
Released 24 July 1995
Format
  • 12"
  • cassette
  • CD
Recorded 1982
Genre
Length 8:35
Label London
850241.1, NUOX 7
Songwriter(s)
Producer(s) New Order
New Order singles chronology
"1963"
(1995)
"Blue Monday-95"
(1995)
"Video 5 8 6"
(1997)
"1963"
(1995)
"Blue Monday"
(1995)
"Video 5 8 6"
(1997)
"Blue Monday"
Bluemonday.PNG
Single by Orgy
from the album Candyass
Released 14 December 1998
Format Single
Genre
Length 4:25
Label Warner Bros./Reprise/Elementree
Songwriter(s) Gillian Gilbert, Peter Hook, Stephen Morris, Bernard Sumner
Producer(s) Josh Abraham, Orgy
Orgy singles chronology
"Stitches"
(1998)
"Blue Monday"
(1998)
"Fiction (Dreams in Digital)"
(2000)
"Stitches"
(1998)
"Blue Monday"
(1998)
"Fiction (Dreams in Digital)"
(2000)
"Blue Monday / Stitches"
Single by Orgy
Released 9 February 1999
Format Single
Length 48:04
Label Warner Bros./Reprise/Elementree
Songwriter(s) Gillian Gilbert, Peter Hook, Stephen Morris, Bernard Sumner
Producer(s) Josh Abraham, Orgy
Professional ratings
Review scores
Source Rating
AllMusic (Blue Monday (single)) 2.5/5 stars
AllMusic (Blue Monday / Stitches) 2.5/5 stars
"Blue Monday"
Flunk Blue Monday single.jpg
Single by Flunk
from the album Blue Monday
Released 8 April 2002 (Norway)
3 June 2002 (UK/Worldwide)
Format CD
Genre Electronic music
Label Beatservice
BS053 (CD)
Songwriter(s) Gillian Gilbert, Peter Hook, Stephen Morris, Bernard Sumner

"Blue Monday" is a song by the English rock/dance band New Order. It was released as a 12-inch single on 7 March 1983 through Factory Records and later remade by the band in 1988 and 1995. The song has been widely remixed and covered since its original release, and became a popular anthem in the dance club scene. It is the best-selling 12" single of all time. The song has been widely acclaimed and according to Acclaimed Music, the song is the 33rd most acclaimed song of all time.

"Blue Monday" was described by the BBC Radio 2 "Sold on Song" feature thus: "The track is widely regarded as a crucial link between Seventies disco and the dance/house boom that took off at the end of the Eighties."Synthpop had been a major force in British popular music for several years, but "Blue Monday", with encouragement by the band's manager Rob Gretton, was a dance record that also exhibited influences from the New York club scene, particularly the work of producers like Arthur Baker (who collaborated on New Order's follow-up single "Confusion").

According to Bernard Sumner, "Blue Monday" was influenced by four songs: the arrangement came from "Dirty Talk", by Klein + M.B.O.; the signature bassline with octaves came from Sylvester's disco classic, "You Make Me Feel (Mighty Real)"; the beat came from "Our Love", by Donna Summer; the choir sound was sampled from the Kraftwerk song "Uranium" from the Radio-Activity album and the long keyboard pad on the intro and outro was following the album's intro track "Geiger Counter".


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Wikipedia

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