Centigrade 232
| Centigrade 232 | ||||
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| Studio album by Robert Calvert | ||||
| Released | 8 October 2007 | |||
| Recorded | 1986 | |||
| Genre | Spoken word | |||
| Label | Voiceprint Records | |||
| Robert Calvert chronology | ||||
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Centigrade 232 is an album and a book of poems by English writer and musician Robert Calvert, recorded in 1986 and released in 2007. The poem Centigrade 232 was set to music by Spirits Burning in 2001. Some titles were set to music by Hawkwind and issued as The Brock/Calvert Project in 2007.
Calvert had regarded himself first and foremost as a poet and writer and his original involvement with the English rock group Hawkwind from 1971 was as a lyricist and narrator of "space-age poetry" at gigs. It was later as a solo performer and his second spell with Hawkwind from 1976 that he had become more recognised as being a singer and front-man of a rock band, but he continued actively writing poems and plays during this time.
In 1977 a collection of his poems were compiled and published by Quasar books, the title being (allegedly) the temperature at which writing paper burns "signifying the writer destroying his rough drafts". This is an allusion to the Ray Bradbury novel Fahrenheit 451 and possibly the film thereof, 451°F being equivalent to 232 Centigrade.
Some of the poems are pieces he had performed with Hawkwind during the Space Ritual show, such as "The First Landing on Medusa" which was performed as "The Awakening". Others would be adapted into Hawkwind songs, such as "The Starfarer's Despatch" and "The Clone's Poem" which were combined into "Spirit of the Age". The poem "Circle Line" won the Capital Radio Poetry Award in 1975. The book received a launch party at Battersea Arts Centre, London, which also featured performances from Cream lyricist Pete Brown and Gong's Daevid Allen and Gilli Smyth.
In 1986 Calvert started issuing cassette tapes of his work under the imprint of Harbour Publications. One of these tapes was the full recitation of the Centigrade 232 collection. Other releases comprised recitations of the unpublished Earth Ritual poems collection and two music tapes, Blueprints from the Cellar Volumes 1 and 2, which contained home demos of songs, some of which would be released in completed form on the albums Freq and Test Tube Conceived.
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