Daniel Chester French Home and Studio (Chesterwood)
|
|
Chesterwood
|
|
Nearest city | |
---|---|
Area | 129 acres (52 ha) |
Built | 1896 |
Architect | Henry Bacon, Daniel Chester French |
Architectural style | Colonial Revival, other |
NRHP Reference # | 66000652 |
Significant dates | |
Added to NRHP | October 15, 1966 |
Designated NHLD | December 21, 1965 |
Chesterwood was the summer estate and studio of American sculptor Daniel Chester French (1850–1931) located at 4 Williamsville Road in . Most of French's originally 150-acre (61 ha) estate is now owned by the National Trust for Historic Preservation, which operates the property as a museum and sculpture garden. The property was designated a National Historic Landmark in 1965 in recognition of French's importance in American sculpture.
In 1896 Daniel Chester French purchased the 150-acre (61 ha) farm of Marshall Warner in , to house a summer estate and studio space. At this time, French had already achieved national notice, primarily for his bronze Minute Man statue, commissioned in 1873 and placed at the Old North Bridge in Concord, Massachusetts, in 1875. Following his purchase of the farm, French had a studio built on the property, to a design by his friend Henry Bacon, near the c. 1820 farmhouse. This space would become French's primary studio space for the rest of his working career, even though he divided his time between Stockbridge and New York City. In 1901 French hired Bacon to design a replacement for the farmhouse, the Georgian Revival structure now standing on the estate. His fame as a sculptor was cemented when he was chosen to provide the massive statue of Abraham Lincoln which stands in the Lincoln Memorial in Washington, DC. Although the final carving of this massive work was not done at Chesterwood, French did his preliminary design work here, which included the construction of a 6-foot (1.8 m) scale model.
After French's death in 1931, Chesterwood passed to his daughter, Margarget French Cresson. She formed the Daniel Chester French Foundation to manage 79 acres (32 ha) of the property, including the main house and studio, while retaining the rest of the property for herself. Following a brief period of ownership by The Trustees of Reservations, the 79-acre parcel was acquired by the National Trust for Historic Preservation. The National Trust was bequested another 50 acres (20 ha) of the estate by Cresson.