Cunning Folk and Familiar Spirits
The book's jacket displays a detail from The Garden of Earthly Delights (c.1500), an oil painting by the Medieval Dutch artist Hieronymous Bosch (c.1450–1516).
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| Author | Emma Wilby |
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| Country | United Kingdom |
| Language | English |
| Subject |
British history History of religion |
| Publisher | Sussex Academic Press |
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Publication date
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2005 |
| Media type | Print (Hardback and paperback) |
| Pages | 317 |
| ISBN | |
Cunning Folk and Familiar Spirits: Shamanistic Visionary Traditions in Early Modern British Witchcraft and Magic is a study of the beliefs regarding witchcraft and magic in Early Modern Britain written by the British historian Emma Wilby. First published by Sussex Academic Press in 2005, the book presented Wilby's theory that the beliefs regarding familiar spirits found among magical practitioners – both benevolent cunning folk and malevolent witches – reflected evidence for a general folk belief in these beings, which stemmed from a pre-Christian visionary tradition.
Building on the work of earlier historians such as Carlo Ginzburg, Éva Pócs and Gabór Klaniczay, all of whom argued that Early Modern beliefs about magic and witchcraft were influenced by a substratum of shamanistic beliefs found in pockets across Europe, in Cunning Folk and Familiar Spirits, Wilby focuses in on Britain, using the recorded witch trial texts as evidence to back up this theory. The book is divided into three parts, each of which expand on a different area of Wilby's argument; the first details Wilby's argument that familiar spirits were a concept widely found among ordinary magical practitioners rather than being an invention of demonologists conducting witch trials. The second then proceeds to argue that these familiar spirits were not simply a part of popular folklore, but reflected the existence of a living visionary tradition, which was shamanistic and pre-Christian in origin. Finally, in the third part of the book, Wilby looks at the significance of this tradition for Britain's spiritual heritage.
The reviews published in specialist academic journals were mixed, with some scholars supporting and others rejecting Wilby's theory, although all noted the importance of such a work for witchcraft studies. Wilby meanwhile would go on to expand her theory by focusing it in on the case of the accused witch Isobel Gowdie for her second book, The Visions of Isobel Gowdie: Shamanistic Visionary Traditions in Early Modern British Witchcraft and Magic (2010), also published by Sussex Academic Press.
Prior to Wilby's work, the English historian Owen Davies had researched the role of the cunning folk in Early Modern Britain, culminating in the publication of his 2003 book Cunning-Folk: Popular Magic in English History. Davies had rejected the idea that there had been any shamanistic traditions among the cunning folk of Britain, and furthermore argued that the Early Modern cunning tradition should not be seen as being a continuation of a pre-Christian practice, relating that "to emphasise their pagan roots is about as meaningful or meaningless as pointing out the pagan origins of early modern potting."
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