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Donovan's Greatest Hits

Donovan's Greatest Hits
Donovan-Donovan's Greatest Hits.jpg
Greatest hits album by Donovan
Released January 1969
Recorded January 1966 – September 1968
Length 39:07
Label Epic
Producer Mickie Most (original issue)
except for on expanded CD reissue:
"Catch the Wind" prod. by Terry Kennedy, Peter Eden and Geoff Stephens
and "Riki Tiki Tavi" prod. by Donovan Leitch
Expanded CD reissue prod. Al Quaglieri
Donovan chronology
This Is Donovan
(1969)This Is Donovan1969
Donovan's Greatest Hits
(1969)
Barabajagal
(1969)Barabajagal1969
Professional ratings
Review scores
Source Rating
Allmusic 4.5/5 stars

Donovan's Greatest Hits is the first greatest hits album from Scottish singer-songwriter Donovan. It was released in the United States in January 1969 on Epic Records, catalogue BXN 26439 in stereo, and in the United Kingdom in March 1969 on Pye Records, catalogue NPL 18283 in mono and NSPL 18283 in stereo. Donovan's Greatest Hits peaked at #4 on the Billboard 200, and has been certified platinum by the RIAA.

Donovan's Greatest Hits is a distinct entry in Donovan's discography for several reasons. First, it collects three singles that were previously unreleased on any album: "Epistle to Dippy"; "There Is a Mountain"; and "Laléna." It also presents the unedited "Sunshine Superman" (one minute and fifteen seconds longer than the original 1966 single and LP release), and most of the songs appear for the first time in stereo. Lastly, Donovan's Greatest Hits contains re-recordings of "Catch the Wind" and "Colours" with Big Jim Sullivan playing guitar, John Paul Jones on bass and keyboards and Clem Cattini on drums. Epic Records could not obtain the right to release the original recordings of these two songs, so Donovan recorded new versions in May 1968 with a full backing band and a lavish production by Mickie Most.

Donovan's Greatest Hits marked the high point of Donovan's popularity in both the United States and United Kingdom. It also most likely had the effect of keeping many of Donovan's recordings on the shelf to avoid oversaturating the market. Nearly all of Donovan's next studio album was already recorded by the time of this release but remained unreleased until August 1969.


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