"Echoes" | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Song by Pink Floyd from the album Meddle | ||||||||||||
Published | Pink Floyd Music Publ | |||||||||||
Released | 30 October 1971 (US) 5 November 1971 (UK) |
|||||||||||
Recorded | January 1971 Abbey Road, London March, April 1971 AIR Studios, London May 1971 Morgan Studios, London June, July 1971 Morgan Studios, London AIR Studios, London August 1971 AIR Studios, London |
|||||||||||
Genre | Progressive rock | |||||||||||
Length | 23:31 (Meddle version) 16:30 (Echoes version) |
|||||||||||
Label | Harvest | |||||||||||
Writer(s) | Roger Waters, Richard Wright, Nick Mason, David Gilmour | |||||||||||
Producer(s) | Pink Floyd | |||||||||||
|
26 tracks |
---|
|
"Echoes" is a composition by Pink Floyd including fully extended instrumental passages, continuous sound effects, and musical improvisation. Written in 1970 by all four members of the group, "Echoes" provides the extended finale to Pink Floyd's album Meddle. The track has a running time of 23:31 and takes up the entire second side of the vinyl and cassette recordings.
It also appears in shortened form as the fifth track on the compilation album which took its name, Echoes: The Best of Pink Floyd. "Echoes" is the third-longest song in Pink Floyd's catalogue, after "Atom Heart Mother" (23:44) and the combined segments of "Shine On You Crazy Diamond" (26:01). Unlike those pieces, it is not explicitly divided into separate parts; however, the composition was originally assembled from separate fragments and was later split in two parts to serve as both the opening and closing numbers in the band's film Live at Pompeii. It retains the title as the longest song by Pink Floyd that is not split into parts. The song was used to open the band's 1987 A Momentary Lapse of Reason Tour after not being played for over a decade, but was retired again after 11 shows. The song was finally revived again for Gilmour's 2006 On an Island Tour where it was performed every night and a live version was released on Live in Gdańsk and Remember That Night.
Each verse of the song follows a pattern of three strophes.
The composition uses many progressive and unconventional musical effects. The ping sound heard at the beginning of the song was created as the result of an experiment at the very beginning of the Meddle sessions. It was produced through amplifying a grand piano, played by Richard Wright, and sending the signal through a Leslie speaker and a Binson Echorec.