Giorgio Ghisi

Giorgio Ghisi (1520 — 15 December 1582) was an Italian engraver from Mantua who also worked in Antwerp and in France. He made both prints and damascened metalwork, although only two surviving examples of the latter are known.

He was the son of Lodovico Ghisi, a merchant whose family which had lived in Mantua for more than two hundred years. His artistic training is not documented, but he is thought to have learned engraving from Giovanni Battista Scultori.

His earliest works are engravings after Giulio Romano, the dominant artistic figure in Mantua at the time. At some time during pontificate of Paul III (1536–49) Ghisi visited Rome, where four of his prints were published by Antonio Lafreri. His other engravings from the 1540s included a large print, on ten separate plates, of Michelangelo's fresco of the Last Judgement in the Sistine Chapel.

In 1549 or 1550 he went to Antwerp, where, between 1550 and 1555, he produced five dated engraving projects for Hieronymous Cock and Volcxken Diericx, the founders of Aux Quatre Vents, the largest print publisher in Northern Europe. The first of these, on two plates, was after Raphael's fresco The School of Athens, in 1550. It was followed by a copy of Lambert Lombard's Last Supper in 1551, Raphael's fresco Disputation of the Holy Sacrament in 1552, Agnolo Bronzino's The Nativity in 1553, and The Judgement of Paris, after Giovanni Battista Bertani in 1555. In 1551 Ghisi joined the Antwerp Guild of St. Luke as a copperplate engraver, which was the same year the painters Ambrosius Bosschaert and Peter Breughel the Elder joined.

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