Go Superlambananas! was an art exhibition that took place in Liverpool, England, during the city's European Capital of Culture celebrations in 2008. Based upon Taro Chiezo's Superlambanana, which had been located in Liverpool since 1998, the exhibit consisted of 124 two metre high replicas, which were located throughout Liverpool and the surrounding areas. Each mini-Superlambanana was individually designed by local community groups and artists, with a range of public and private sector organisations providing sponsorship funding. The mini-Superlambananas were on display for ten weeks, from June to August 2008.
The Go Superlambananas! art exhibition was developed and based upon the Superlambanana sculpture that has been located in Liverpool since 1998. Designed by Manhattan-based Japanese artist Taro Chiezo for the 1998 ArtTransPennine Exhibition, the sculpture is a cross between a banana and a lamb and is intended as a comment on the dangers of genetic engineering. Superlambanana's design is also heavily influenced by the history of Liverpool itself, as historically both sheep and bananas were common cargos in the city's docks. The original sculpture weighs almost eight tons and stands 17 feet tall. Throughout its history the sculpture has been located at various areas throughout the city and on occasions even further afield. It currently stands on Tithebarn Street, outside the Liverpool John Moores University Avril Robarts Library/Learning Resource Centre.
The Go Superlambananas! exhibition was developed by the Liverpool Culture Company (LCC), led by its Creative Director Phil Redmond, in partnership with the Wild In Art. As part of the city's Capital of Culture celebrations, the LCC were eager to develop a cultural event in which local people could be involved not just in its consumption, but also its production. The eventual idea settled on, was to build upon the Superlambanana artwork, which had over time come to be recognised as a symbol of Liverpool in itself. As a result, 124 mini-SuperLambananas were created, each of which acted as a blank slate, on which various groups throughout the city could develop and design their own cultural contribution the city's celebrations.