Her Wallpaper Reverie
| Her Wallpaper Reverie | ||||
|---|---|---|---|---|
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| Studio album by The Apples in Stereo | ||||
| Released | June 8, 1999 | |||
| Genre | Indie pop/Indie rock | |||
| Length | 27:08 | |||
| Label |
SpinART Records (spart 72), Elephant 6 (E6-020) |
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| Producer | Robert Schneider | |||
| The Apples in Stereo chronology | ||||
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| Alternative cover | ||||
Australian release.
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |
  link
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| Pitchfork Media | (6.3/10) link |
| Robert Christgau |  |
Her Wallpaper Reverie is the third album from The Apples in Stereo.
The fifteen tracks listed for the album give the impression that it is about the same length as the band's previous two albums, but only seven of the tracks are "actual" songs. The other eight tracks play a variation of the same melody. These eight tracks are treated as musical interludes and are marked with Roman numerals. Most of these interludes range from ten seconds to a minute in length (with the exception of "vi. Drifting Patterns" which is over two and a half minutes long). The result length is 27 minutes.
Critical response to the album was varied. A common criticism was that the album contained too many interludes. (In fact, there are more musical interludes on the album than there are songs.) Pitchfork Media, for instance, stated that many of these interludes were "annoying" [1].
The psychedelic production of the album led critics to make comparisons to popular albums by The Beatles and The Beach Boys.
All tracks written by Robert Schneider except where noted.
The Australian and Japanese versions of Her Wallpaper Reverie contain five bonus tracks. The first four were later released on the Look Away + 4 EP.
In addition, both the Australian and Japanese editions have different color schemes for the album artwork, Japan's being blue and yellow, Australia's being orange and red. There is also an alternate UK cover that is pink and green.
Her Wallpaper Reverie was produced and mixed by Robert Schneider and engineered by the Apples in Stereo. Jim McIntyre acted as executive producer. The album was recorded and mixed at Pet Sounds Recording Studio, Denver, Colorado from January to March, 1999 (with the exception of "Morning Breaks" and "Benefits of Lying", which were recorded during 1997).
Artwork for the album was created by William Cullen Hart. Layout by Joel Marowitz.
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