Horace Ott
| Horace Ott | |
|---|---|
| Born |
April 15, 1933 St. Matthews, South Carolina, US |
| Genres | Jazz, R&B |
| Occupation(s) | Arranger, songwriter, record producer |
| Instruments | Piano |
Horace Ott (born April 15, 1933) is an American jazz and R&B composer, arranger, record producer, conductor and pianist, noted for his work since the late 1950s with a wide variety of artists including The Shirelles, Don Covay, Nina Simone, Houston Person, Village People, and many more.
Born in St. Matthews, South Carolina, he learned piano and attended Wilkinson High School in Orangeburg, where he played in the school band and started performing in, and writing for, a local jazz band. He studied music at South Carolina State University, graduating in 1955, and spent two years in the US Army from 1956 to 1958, playing in a marching band.
In 1958 he moved to New York, working in a factory while playing in nightclubs in the evenings. He met songwriter Luther Dixon, and had his first success writing arrangements for The Shirelles. He worked as a songwriter and arranger with musicians including Jackie Wilson, Don Covay, Hank Ballard, Dee Clark, Sam Cooke, Solomon Burke, and others. He arranged Doris Troy's 1963 hit "Just One Look". In 1964, he co-wrote "Don't Let Me Be Misunderstood" with Bennie Benjamin and Sol Marcus; the co-writing credit was given to Ott's wife, Gloria Caldwell, because as a BMI member Ott was not permitted to work with ASCAP members. The song was included on Nina Simone's album Broadway-Blues-Ballads, in an arrangement by Ott, and was later a hit for The Animals. He continued working with Nina Simone, arranging her 1968 hit "Ain't Got No, I Got Life", and also worked as an arranger in the late 1960s with Aretha Franklin, Eric Burdon, Bessie Banks, George Benson, Mary Wells, Jimmy McGriff, and many others.
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