| Hypermagic Mountain | ||||
|---|---|---|---|---|
| Studio album by Lightning Bolt | ||||
| Released | October 18, 2005 | |||
| Recorded | Providence, Rhode Island | |||
| Genre | Noise rock | |||
| Length | 56:44 | |||
| Label | Load (LOAD #78) | |||
| Producer | Dave Auchenbach | |||
| Lightning Bolt chronology | ||||
|
||||
| Professional ratings | |
|---|---|
| Aggregate scores | |
| Source | Rating |
| Metacritic | 88/100 |
| Review scores | |
| Source | Rating |
| AllMusic | |
| Alternative Press | |
| Blender | |
| Entertainment Weekly | B |
| Mojo | |
| NME | 9/10 |
| Pitchfork Media | 7.3/10 |
| PopMatters | 8/10 |
| Tiny Mix Tapes | 5/5 |
| Uncut | |
Hypermagic Mountain is the fourth album by American noise rock band Lightning Bolt.
The band and their sound engineer, Dave Auchenbach, recorded the album in a house in Providence, Rhode Island directly onto a 2 track DAT master tape. The album is a clear continuation of the sound they established on their previous albums, featuring a very dense sound composed almost entirely of distorted, often-processed bass guitar; loud, fast drums; and indiscernible vocals buried in the album's mix. The album's artwork was drawn by Brian Chippendale; the album's title was not decided until after the artwork was finished.
Hypermagic Mountain was met with near-universal acclaim, with an average of 88 out of 100 based on 23 reviews on Metacritic. The same site rates the album at number 42 on the all-time highest rated albums, and as the fourth best album of 2005.Stylus Magazine's Rogue Strew hailed the album as "another stride toward the perfection of [Lightning Bolt's] prog-noise esthetic", while Prefix Magazine's Aaron Richter called it Lightning Bolt's "most accomplished effort to date, one-upping 2003’s Wonderful Rainbow with a fresh sense of maturity."Pitchfork Media's Brandon Stosuy similarly described Hypermagic Mountain as the band's "most well-oiled album", but criticized that "somewhere in the middle a lack of variety creates a dull patch." Joe Martin, in CMJ New Music Monthly, said that the album's "craft-refinement has an exhilaration all of its own".