Imaginary Magnitude

Stanisław Lem's fictitious criticism of nonexisting books may be found in his following works: in three collections of faux reviews of fictitious books: A Perfect Vacuum (Doskonała próżnia, 1971), Provocation (Prowokacja, 1984), and Library of 21st Century (Biblioteka XXI wieku, 1986) translated as One Human Minute, and in Imaginary Magnitude (Wielkość Urojona, 1973), a collection of introductions to nonexistent books.

Reviewing nonexistent books, a modern form of pseudepigraphy, is not a theme unique to Lem (consider Jorge Luis Borges' Pierre Menard, Author of the "Quixote" or An Examination of the Work of Herbert Quain), but the idea of an entire anthology of such pieces is rather novel. Lem attempted to create different fictional reviewers and authors for each of the books. In his own words: "I tried to imitate various styles – that of a book review, a lecture, a presentation, a speech (of a Nobel Prize laureate) and so on". Some of the reviews are lighthearted, concentrating mostly on the story; others, however, read more like serious, academic reviews. Some of the reviews are parodies, or the books being reviewed are parodies or complete impossibilities, others are quite serious and can be seen almost as drafts for novels that Lem never got around to write. It can also be said that in this book Lem criticizes the postmodernist "games for games' sake" ethos, turning it against itself.

A Perfect Vacuum (Polish: Doskonała próżnia) is a 1971 book by Polish author Stanisław Lem, the largest and best known collection of Stanislaw Lem's fictitious criticism of nonexisting books. It was translated into English by Michael Kandel. Some of the reviews remind the reader of drafts of his science-fiction novels, some read like philosophical pieces across scientific topics, from cosmology to the pervasiveness of computers, finally others satirise and parody everything from the nouveau roman to pornography, Ulysses, "authorless writing", and Dostoevsky.

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