Imaginos
| Imaginos | ||||
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| Studio album by Blue Öyster Cult | ||||
| Released | July 1988 | |||
| Recorded | Kingdom Sound Studios, Long Island, New York Boogie Hotel Studios, Port Jefferson, New York Alpha & Omega Studios, San Francisco, California, 1981 - 1988 |
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| Genre | Hard rock, heavy metal | |||
| Length | 55:01 | |||
| Label | Columbia/Sony | |||
| Producer | Sandy Pearlman, Albert Bouchard | |||
| Blue Öyster Cult chronology | ||||
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| Singles from Imaginos | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |    |
| Collector's Guide to Heavy Metal | 6/10 |
| Rolling Stone | |
| Storia della Musica | |
Imaginos is the eleventh studio album by the American hard rock band Blue Öyster Cult (commonly shortened as BÖC). It was released in 1988, and was their last recording with their original record label, CBS/Columbia Records. The album took nearly eight years to complete and was originally intended to be the first in a trilogy of solo albums by Blue Öyster Cult drummer and songwriter Albert Bouchard. Bouchard was fired in August 1981, and CBS rejected the album in 1984, but a re-worked version was eventually published as a product of the band. Many musicians contributed to the project over this eight-year span, including Joe Satriani and Doors guitarist Robby Krieger, but some band members were barely involved in the recording process. Thus, Imaginos is often considered more as a project of producer and lyricist Sandy Pearlman than as a true album of the band.
Imaginos weaves scripts and poems by Pearlman, dating from the second half of the 1960s, into a concept album and rock opera about an alien conspiracy that is brought to fruition during the late 19th and early 20th century through the actions of Imaginos, an agent of evil. The tale combines elements of gothic literature and science fiction and is strongly inspired by the work of H. P. Lovecraft. Subtitled "a bedtime story for the children of the damned", it has an intricate storyline whose often-obscure lyrics contain many historical references, and is still an object of speculation by fans and critics. It is often considered one of the heaviest albums released by Blue Öyster Cult, its music more akin to heavy metal than the melodic and commercial hard rock of their two previous works. The poor sales of those albums resulted in record label pressure on the band that led to their disbandment in 1986; a subsequent comeback featured only three members of the classic line-up.
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