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In Our Time (1982 film)

In Our Time
Directed by Te-chen Tao
Edward Yang
I-chen Ko
Yi Chang
Produced by Ming Che
Written by Te-chen Tao
Edward Yang
I-chen Ko
Yi Chang
Music by Yunshan Chen
Cinematography Chia-mao Chen
Edited by Ching-song Liao
Production
company
Release date
  • 28 August 1982 (1982-08-28)
Running time
100, 106 or 109 minutes
Language Mandarin
Southern Min

In Our Time (Chinese: Guang yin de gu shih) is a 1982 Taiwanese anthology film directed by Edward Yang, Yi Chang, I-Chen Ko and Te-Chen Tao. The film's four vignettes each take place in a different decade between 1950 and 1980 and depict characters at different points in their lives. The film deals with a range of dramatic, comic, economic and social themes.

The first two episodes are described as contemplative and dream-inspired, while the latter two episodes feature more dialogue and overt comedy. The first segment, translated as "Dinosaurs" or "Little Dragon Head", is directed by Tao and follows a young boy who escapes from childhood bullying by retreating into a fantasy world populated by his dinosaur toys. The second segment, "Expectations" or "Desires", is directed by Yang and stars Shi Anni as a young girl who becomes infatuated with an older man who is staying at her parents' house, but falls into a love triangle. The third segment, "Leapfrog", is directed by Ko and follows a college student who deals with the pressures of life by joining a competitive swimming club. The final segment, translated as "Show your ID" or "Say Your Name", is directed by Yi Chang and stars Sylvia Chang. It follows a newly married couple who are accidentally locked out of their home and workplaces, to comedic effect.

The film was produced by the Taiwanese Central Motion Picture Corporation, which had a reputation for conservative filmmaking. Yang's segment was his first filmed work. Writing in his eponymous book on Edward Yang, John Anderson described Yang's segment as bringing "an almost documentary content to the Taiwanese feature, which is counterbalanced in Expectations by Yang's decidedly poetic rhythms". The Harvard Film Archive described the film as "eschew[ing] studio-bound escapism and melodrama in favor of a hard-hitting cinema grounded in everyday life". The film is sometimes cited as the foundational film of the New Taiwan Cinema.


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