Ingrid Calame
| Ingrid Calame | |
|---|---|
| Born | 1965 (age 51–52) The Bronx, New York City, United States |
| Nationality | American |
| Education | State University of New York at Purchase |
| Alma mater | California Institute of the Arts |
| Known for | Painting |
| Style | Abstract art |
| Website | ingridcalame |
Ingrid Calame (born 1965) is an American artist based in Los Angeles, known for her abstract, map-like paintings inspired by human . Her works are in the permanent collections of museums worldwide including the Los Angeles Museum of Contemporary Art, the Whitney Museum of American Art in New York City, and the Kunstmuseum St. Gallen, Switzerland, as well as many private collections. Calame was included in the 2000 Whitney Biennial.
Calame was born in 1965 in The Bronx, New York. She grew up in Westchester County, where her mother was a physical therapist and her father taught physical education. In college, Calame studied dance before shifting to painting. She graduated with a Bachelor of Fine Arts from the State University of New York at Purchase and later, a Master of Fine Arts (MFA) in art and film from the California Institute of the Arts.
Shortly after earning her MFA in 1996, Calame began a series of paintings based on the accidental spills on her studio floor. In creating the series, Calame re-presented spontaneous spills as deliberately created art; this technique became a cornerstone of Calame's artistic process going forward. At the same time as Calame began developing this artistic technique, revelations about her grandmother's death impelled her to investigate the subject of human mortality. Calame increasingly chose to concentrate her artistic work on exhibiting "the ever-presence of our mortality and the almost equally human need to hide or not to see it," through tracing stains on streets and the floors of public spaces.
In 2007 Calame was invited to produce a site-specific commission at the Indianapolis Museum of Art. Out of that initial commission grew an entire exhibit, organized by the IMA's curator of contemporary art, Lisa Freiman, and titled:"Ingrid Calame: Traces of the Indianapolis Motor Speedway." The exhibit comprised several large colored-pencil drawings and enamel-on-aluminum paintings utilizing tracings of tire marks on the Indianapolis Motor Speedway. The centerpiece of the exhibit was a 76-by-20-foot enamel and latex wall painting of the pretzel-shaped skid mark made by Dan Wheldon in 2005 after winning the Indianapolis 500.
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