Jazz in Film
| Jazz in Film | ||||
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| Studio album by Terence Blanchard | ||||
| Released | March 2, 1999 | |||
| Recorded | March 17–18, 1998 Signet Soundelux, Los Angeles April 7, 1998 Clinton Recording Studios, Studio B, New York City |
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| Genre | Jazz | |||
| Length | 68:19 | |||
| Label |
Sony SK 60671 |
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| Producer | Terence Blanchard | |||
| Terence Blanchard chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
Jazz in Film is a studio album by American tumpeter Terence Blanchard released on March 2, 1999 via Sony Records.
The album was meant to be a portrait of jazz in cinema history, a way to chronicle the evolution of jazz score from the late 1940s to present day, and features highly influential themes from classics like Anatomy of a Murder, Taxi Driver and seminal noir The Man With the Golden Arm. Blanchard carves out a little space for himself, revisiting one of his compositions written for Spike Lee's Clockers.
The albums features an all-star lineup, including veteran saxophonist Joe Henderson and pianist Kenny Kirkland, amongst others, backed by a string orchestra arranged by Blanchard.
Tracks 2 3 6 7 8 9 recorded on March 17–18, 1998; Tracks 1 4 5 on April 7, 1998.
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