Jim Aton
| Jim Aton | |
|---|---|
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| Background information | |
| Birth name | James G. Aton |
| Born | 1925 Sioux City, Iowa, U.S. |
| Died | September 16, 2008 |
| Genres | Jazz |
| Occupation(s) | Musician, composer |
| Instruments | Double bass, piano, vocals |
| Years active | 1940s–2008 |
James G. Aton, best known as Jim Aton or Jimmy Aton (1925 – September 16, 2008) was an American jazz bassist, pianist, vocalist and composer. He worked with numerous notable artists including Billie Holiday, Anita O'Day and Bill Evans. He appeared in films such as Bop Girl Goes Calypso (1957) with the Bobby Troup Trio, Roustabout (1964) with Elvis Presley and Barbara Stanwyck, and They Shoot Horses, Don’t They? (1969) with Jane Fonda.
James Gable Aton was born in Sioux City in 1925. His father owned a music store in Sioux City, and he studied violin and piano while attending the Sioux City public schools. Following service in the Merchant Marine near the close of World War II, he was drafted and served an additional year in the Air Force, based in Denver and the Philippines. After leaving the military he spent a year studying English and music at the Morningside College Conservatory of music, before transferring to the University of South Dakota. He began performing on string bass in local jazz combos during this period, including a combo led by legendary Kansas City expatriate trumpet player and bandleader Clarence Kenner. Kenner had worked in Kansas City-based big bands in the 1920s and early 1930s and had largely defined the bluesy and swinging style of jazz for which Sioux City later became known. Kenner took the young bassist under his wing, providing Aton with much early valuable professional experience.
Aton moved to Chicago in 1949 to become a full-time professional player. After working small clubs in Milwaukee while awaiting the transfer of his Musicians Union card to the Chicago local, Aton responded to an advertisement in the Variety trade journal to audition with the Chicago-based Herbie Fields Band. Winning the audition, Aton subsequently toured with Fields during the summer of 1950 accompanying jazz legend Billie Holiday on a three-month tour from Chicago to Cleveland, Pittsburgh, New York, Philadelphia, Baltimore, Washington, Richmond and back. Aton won high praise in Downbeat Magazine during the tour and was even compared by a Downbeat reviewer to Jazz bass giant Ray Brown for his talents on the instrument. The Downbeat review immediately solidified Aton's bona fides in the nationwide jazz community and new opportunities quickly surfaced. While not a commercial success, the Fields band of 1950, consisting of a 12-man unit and a six-man combo, nurtured several talented future jazz stars, including pianist Bill Evans, trumpeter Jimmy Nottingham and trombonist Frank Rosolino. Following the Holiday tour, the band returned to Chicago where it recorded a number of "V-Discs" for broadcast over Armed Forces radio.
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