John Gollings
John Gollings (born 1944 in Melbourne), is an Australian architectural photographer. He is known for his technique of architectural photography at night using partial artificial light over a period of time.
Gollings holds a master's degree in Architecture from RMIT University and an Honorary Fellowship of the Australian Institute of Architects.
Gollings works in the Asia Pacific region as an architectural photographer. Much of his work involves long term cultural projects especially in India, Cambodia, China, Libya and New Guinea. He specialises in the documentation of cities, often from the air. He has a particular interest in the cyclic fires and floods that characterise the Australian landscape. These have been documented with aerial photography.
His books include two volumes of New Australia Style, T&H; City of Victory, Aperture and Kashgar, Oasis city on the Silk Road, and Frances Lincoln in addition to many catalogues and monographs on architecture. Thames and Hudson released a monograph called "Beautiful Ugly" of his contemporary architectural work.
His work is exhibited by the Asia Society, New York, Canadian Centre for Architecture, Montreal, National Gallery of Australia, National Gallery of Victoria, the Monash Gallery of Art, the State Library of Queensland, The Janet Holmes A'Court collection, The Gold Coast Gallery and the National Library of Australia.
Recent exhibitions include the Australian Centre for Photography, Gold Coast Gallery, The Immigration Museum, Victoria, Monash Gallery of Art, McClelland Gallery and the National Gallery of Australia.
He received a Visual Arts Board Grant from the Australia Council, twice given the Presidents Award by the Australian Institute of Architecture and received many advertising and graphic design awards from Australian, New York and Chicago Art Directors Clubs.
Gollings was the co-creative director emeritus, with Ivan Rijavek, of the Australian Pavilion at the 2010 edition of the Venice Biennale of Architecture. This exhibition was called Now and When and compared the existing state of Australian cities, and their counterpoint in the mining holes of the west, to the possibility of a radically different, paradigmatic city of the future. This was either photographed from a helicopter in 3D or rendered in 3D using CGI. This project traveled Australia and Asia under the auspices of the Australian Department of Foreign Affairs and Trade until 2013.
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