Joseph Nash
| Joseph Nash | |
|---|---|
| Born |
17 December 1809 Great Marlow, Buckinghamshire |
| Died | 19 December 1878 (aged 69) |
| Nationality | British |
| Education | Studied with Augustus Charles Pugin |
| Known for | Lithography |
Joseph Nash (17 December 1809 – 19 December 1878) was an English watercolour painter and lithographer, specialising in historical buildings. His major work was the 4-volume "Mansions of England in the Olden Time", published from 1839–49.
Nash was born in Great Marlow in Buckinghamshire, the oldest son of the Reverend Okey Nash who owned Manor House School in Croydon which Joseph went on to attend. He later studied with the artist and architect Augustus Charles Pugin, with whom he travelled to France to assist and prepare architectural drawings for a book entitled "Paris and its Environs", published in 1830.
In the early stage of his career Nash was engaged on figure subjects illustrating the poets and novelists, and exhibited many drawings with the Society of Painters in Water Colours, of which he was elected an associate in 1834, and a full member in 1842. Of these pictures, some were engraved for "The Keepsake" and similar publications, but he later became well known for his picturesque views of late Gothic buildings, which he peopled with figures grouped to illustrate the everyday life of their owners in times gone by—somewhat in the manner of George Cattermole. Despite being involved in a number of disputes with the Society, he continued to exhibit his artwork there until 1875. He also exhibited at the Royal Academy, British Institution and the New watercolour Society.
Having mastered the art of lithography, Nash utilised it in the production of several excellent publications: "Architecture of the Middle Ages" appeared in 1838, and his four-volume masterpiece, "Mansions of England in the Olden Time" over a 10-year period from 1839, which involved Nash's travelling all over the country drawing house interiors and exteriors. He concentrated on the architectural aspects of the buildings, which, using the example of Joseph Strutt, he brought to life with the inclusion of groups of people. The volumes were very popular, with the lithographs circulated widely by newspapers, architects and other artists. The book was so effective it was claimed in Parliament that it was causing an increasing number of people to visit historical buildings.
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