Kyrie (album)
| Kyrie | |
|---|---|
| Studio album by Mina | |
| Released | 27 November 1980 |
| Recorded | at PDU studios in Lugano |
| Length | 37 min : 03 s (Vol 1) + 39 min: 04 sec (Vol 2) |
| Label | PDU |
| Producer | Massimiliano Pani |
Kyrie is a double album by Italian singer Mina released in 1980 as "Vol. 1" and "Vol. 2". On this album Mina experiments with various genres, especially rock. The cover of the album features Mina's son Massimiliano Pani dressed as a hockey player.
"Musica", the opening track expresses a feeling of renewal. The use of the synthesizer and Mina’s voice creates an almost futuristic sound, a rarefied atmospheric sound.
This atmosphere sound collides with the roughness of "You Keep Me Hangin' On". On this track Mina sings with a richer and gravely and coarse tone, creating a roughness to this remake of a classic song.
With "Quatt’ore ‘e tiempo" and we have one of the few moments more classic and traditional. The lyrics tell of a sequence of images that chases almost dancing in the rhythm of the melody. Neapolitan drama away from the usual melodic Neapolitan, the song is a free implementation of the famous “Pietà Signor” composed by Alessandro Stradella.
"Chi sarà" is the composition by Simon Luca. The melody is charming and the simplicity of both the music and lyrics make for a great song. The layering of Mina’s voice adds an interesting layer to the production of the song.
"Voglio stare bene" is a song that has similarities to the melody structure as Bohemian Rhapsody by "Queen". The song begins dramatically and there are constant changes in the tempo, creating different hues.
The Shel Shapiro penned "I know" has a powerful chorus and with the sheer power of Mina’s voice makes for a great marriage of vocals and music. On Tra Napoli e un bicchiere the voices of Mina and Simon Luca play in unison to the endless intricate tones and scales to excellence.
The first volume ends with Capisco written by Massimiliano Pani. A disco-laced track with fast paced lyrics and a thumping beat incorporating synthesisers.
The second volume starts off with Fermerò qualcuno. The tone is dramatic and Mina sings with a sense of loneliness that is infused in every line of the text, with a lavish and engaging musical arrangement.
L'amore è bestia, l'amore è poeta has a reggae flavour to it, a new musical exploration for Mina.
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Wikipedia