Literature of Colombia

Colombian literature, as an expression of the culture of Colombia, is heterogeneous due to the coexistence of Spanish, African and Native American heritages in an extremely diverse geography. Five distinct historical and cultural traditions can be identified, with their own socioeconomic history: the Caribbean coast, Greater Antioquia, the Cundinamarca-Boyacá Highlands, Greater Tolima and the Western Valley. Colombia produced one of the richest literatures of Latin America, as much for its abundance as for its variety and innovation during the 19th and 20th centuries. Colombian intellectuals who forged the literature of this period also contributed decisively to the consolidation of Latin American literature.

Under the Spanish Empire, major literary topics included conquest narratives, chronicles, religious devotion, and love themes. Some of the best-known authors of this period are:

During the process of independence, Colombian literature was strongly influenced by the political motivations of the moment. The main literary movements were close to Romanticism.

During the nineteenth century, political writing was led by Simón Bolívar. Local journalism was initiated by Antonio Nariño. The Colombian government established the first Academy of Spanish language in the American continent, in 1871.

Other relevant authors were:

In the late nineteenth and early twentieth centuries, the main topic in Colombian literature was the colourful depiction of peasant life, tied to strong criticism of society and government. This type of literature was called costumbrista literature. Some of the authors of this period are:

Modernismo and modernism are reactions against the previous literature of Romanticism. Modernism's main topics are ugliness and mystery. The main modern writers are:

The industrialization process in Latin America during the twentieth century generated new literary movements such as the poetic movement named “Piedra y cielo” (1939). Its main authors are:

The violent events in Colombia during the 1940s and 1950s, such as La Violencia and the military government of Gustavo Rojas Pinilla, as well as a considerable urban expansion, influenced in the formation of the Nadaísta (Nothing-ist) movement, which was the Colombian expression of numerous avant-garde-like movements in the poetry of the Americas during the 1950s and 60s (such as the *Beat Generation in the United States and the Tzanticos in Ecuador). included elements of existentialism and nihilism, a dynamic incorporation of city life, and a generally irreverent, iconoclastic flavor. Authors who were part of this movement include:

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