Louis Clapisson
| Louis Clapisson | |
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| Born |
Antoine-Louis Clapisson 15 September 1808 Naples, Italy |
| Died | 19 March 1866 (aged 57) Paris, France |
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Antoine-Louis Clapisson (15 September 1808 – 19 March 1866) was a French composer and violinist. He composed numerous art songs as well as 22 operas, largely in the opéra comique genre. In his later years he was a professor of harmony at the Paris Conservatory and the curator of the conservatory's museum of musical instruments, many of which had come from his own large collection.
Clapisson's family was originally from Lyon where his grandfather had been a maker of wind instruments. Clapisson was born in Naples while his father Antoine was working there as a professor at the Naples Conservatory and as the principal horn-player in the orchestra of the Teatro San Carlo. The family returned to France after the Neapolitan War in 1815 and eventually settled in Bordeaux. Clapisson showed a precocious talent as a violinist. As a boy he toured the south of France giving violin concerts under the tutelage of Pierre-Louis Hus-Desforges. In 1830 he entered the Paris Conservatory to study violin under François Habeneck and harmony under Anton Reicha. He also obtained a position as first violinist in the orchestra of the Théâtre-Italien and later as second violinist in the Paris Opera orchestra.
However, Clapisson soon decided to devote himself to composition instead. His first compositions were vocal pieces (quartets and duets) which were performed at the Paris Conservatory concert series from 1835. His first operatic work was La Figurante, a five-act opéra comique to a libretto by Eugène Scribe and Jean-Henri Dupin. It premiered on 24 August 1838. Twenty-one more would follow, almost all in the opéra comique genre, although he did produce one grand opera, Jeanne la folle, which premiered at the Paris Opera in 1848. His last work was an operetta, La Poularde de Caux. It was co-written with five other composers and premiered in 1861, the same year he was appointed professor of harmony at the Paris Conservatory. His most successful works were the opéras comiques La Promise (1854) and La Fanchonnette (1856). His contemporary, Gustave Chouquet, wrote:
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