Madeleine Grey

Madeleine Grey (11 June 1896 – 13 March 1979) was a French classical singer whose voice is usually described as soprano but which also encompassed a mezzo-soprano repertoire.

Madeleine Grey (née Madeleine Nathalie Grumberg) was born in Villaines-la-Juhel, Mayenne, in France in 1896 into a Jewish background. Her musical studies took her to the Paris Conservatoire to study both the piano, with Alfred Cortot, and singing, with Amédée-Louis Hettich. Her exceptional promise as a singer was soon recognised, and she gave her début concert with the Orchestre Pasdeloup in Paris in 1919.

This first concert was attended by Gabriel Fauré and Maurice Ravel, both of whom went on to work closely with her in performances of their works. Fauré accompanied her in the first performance of his song cycle Mirages in December 1919. For Ravel she gave the first performances of the orchestral version of his Deux mélodies hébraïques in 1920, and the Chansons madécasses in 1926. Her other associations with Ravel included a concert tour with him in Spain in 1928, participation in the Ciboure festival for the composer in 1930, and singing at a memorial concert after his death. Joseph Canteloube dedicated to her a set of his Chants d'Auvergne, and she gave the first performance of them in 1926, achieving considerable popular success. Her repertoire also included works by Ottorino Respighi, Heitor Villa-Lobos, Darius Milhaud and Arthur Honegger.

Madeleine Grey travelled widely, especially in Italy and the United States, appearing at many festivals. She sometimes experienced the rising influence of anti-semitism, as in 1933 when her engagement at a concert in Florence was abruptly cancelled and she was replaced by another singer. When the war with Germany broke out in 1939 she was abroad, and did not return to France until 1947. She lived in Paris again from 1952, and died there in 1979.

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