Millie | |
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Theatrical poster
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Directed by | John Francis Dillon |
Produced by |
Charles R. Rogers Harry Joe Brown (assoc.) |
Written by |
Charles Kenyon Ralph Morgan |
Based on | the novel, Millie by Donald Henderson Clarke |
Starring | Helen Twelvetrees |
Music by | Arthur Lange |
Cinematography | Ernest Haller |
Edited by | Fred Allen |
Distributed by | RKO Radio Pictures |
Release date
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Running time
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85 minutes |
Country | United States |
Language | English |
Millie (1931) is a pre-Code drama film directed by John Francis Dillon from a screenplay by Charles Kenyon and Ralph Morgan, based on a novel of the same name by Donald Henderson Clarke. The film was an independent production by Charles R. Rogers, distributed by RKO Radio Pictures, after their acquisition of Pathé Exchange. It starred Helen Twelvetrees in one of her best roles, with a supporting cast which included Lilyan Tashman, James Hall, Joan Blondell, John Halliday and Anita Louise.
Millie (Helen Twelvetrees) is a naive young woman who marries a wealthy man from New York, Jack Maitland (James Hall). Three years later, unhappy in her marriage due to her husband's continued infidelity, she asks for and receives a divorce. Because of her pride, she does not want his money, but she also does not want to deprive her daughter of a comfortable lifestyle. She allows Jack and his mother (Charlotte Walker) to retain custody of Millie's daughter Connie (Anita Louise).
Focusing on her career, she rises through the hierarchy of the hotel where she is employed, shunning the attention of the rich banker Jimmy Damier (John Halliday), preferring the attentions of the reporter Tommy Rock (Robert Ames), although, due to her prior sour relationship, she refuses to marry him. Eventually, Millie is promoted to the head of operations for the hotel. At the same time, Tommy is offered a lucrative position at the bank by Damier as a favor to Millie. However, at the celebration party, Millie discovers that Tommy, just like Maitland, is cheating on her.