Mulatu Astatke
| Mulatu Astatke | |
|---|---|
|
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| Background information | |
| Born |
19 December 1943 Jimma, Ethiopia |
| Genres | Ethio-jazz |
| Occupation(s) | Instrumentalist, composer, arranger |
| Instruments | Vibraphone, conga drums, percussion, keyboards, organ |
| Years active | 1963–present |
| Associated acts | Walias Band, Black Jesus Experience, The Heliocentrics |
Mulatu Astatke (born on 19 December 1943; surname sometimes spelled Astatqé on French-language releases, and ሙላቱ አስታጥቄ in his native Amharic) is an Ethiopian musician and arranger best known as the father of Ethio-jazz.
Born in the western Ethiopian city of Jimma, Mulatu was musically trained in London, New York City, and Boston where he combined his jazz and Latin music interests with traditional Ethiopian music. Astatke led his band while playing vibraphone and conga drums—instruments that he introduced into Ethiopian popular music—as well as other percussion instruments, keyboards and organ. His albums focus primarily on instrumental music, and Astatke appears on all three known albums of instrumentals that were released during Ethiopia's Golden 1970s.
Astatke's family sent the young Mulatu to learn engineering in Wales during the late 1950s. Instead, he began his education at Lindisfarne College near Wrexham before earning a degree in music through studies at the Trinity College of Music in London. He collaborated with jazz vocalist and percussionist Frank Holder. In the 1960s, Astatke moved to the United States, where he became the first student from Africa to enroll at Boston's Berklee College of Music. There, he studied vibraphone and percussion.
While living in the US, Astatke became interested in Latin jazz and recorded his first two albums, Afro-Latin Soul, Volumes 1 & 2, in New York City in 1966. The records prominently feature Astatke's vibraphone, backed up by piano and conga drums playing Latin rhythms, and were entirely instrumental, with the exception of the song "I Faram Gami I Faram," which was sung in Spanish. Though these records are almost indistinguishable from other Latin-jazz records of the period, some tracks foreshadow elements of Astatke's later work, and he is credited as having established conga and bongo drums as common elements in Ethiopian popular music.
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