N. S. Bendre

Narayan Shridhar Bendre (21 August 1910 – 19 February 1992) (N. S. Bendre) was a 20th-century Indian artist.

Narayan Shridhar Bendre was born in Indore and was initially trained in the State Art School there prior to taking the Government Diploma in Art from Bombay in 1933. His initial interests were conditioned by the quasi-modernist landscape painting as practised in the Indore School at the beginning of the 20th century. An avid traveller, Bendre continued to paint the landscape throughout his career, often with different stylistic means. Early recognition came with the Silver Medal from the Bombay Art Society in 1934, followed by the then ultimate honour of the Gold Medal in 1941. Part of 1945 was spent as artist-in-residence at Santiniketan, where he met Nandalal Bose, Rain Kinkar Baij and Binode Behari Mukhedee. He also met Jamini Roy in Calcutta. Bendre's early work has been classified as being academic and impressionist, dominant subjects being the landscape and the portrait, in oils and gouache.

Bendre was back in Bombay in 1947, from where he left in June for the United States, holding a solo exhibition at the Windermere Gallery, New York, in 1948. On his way back to India, he travelled through Europe, gaining exposure to original works of the modernist masters. An independent nation and an art scene animated by the adventure of the Progressive Artists Group greeted his return in the March of 1948.

In 1950, Bendre moved to Baroda as the first Reader and Head of the Department of Painting at the Faculty of Fine Arts. He remained there until 1966, becoming Dean of the Faculty in 1959. He was instrumental in laying the foundations of the new programme at the Faculty. It was here that he embarked upon a phase held as his most important, which involved experiments with Cubist, Expressionist and abstract tendencies, producing such works as Thorn (1955, National Award)', Sunflowers, The Parrot and the Chameleon, which give evidence of his shifting allegiances to currents in mainstream European modernism, and his endeavour to marry these with Indian formal and thematic considerations.

Travels continued, within India and internationally: he visited West Asia and London in 1958, the USA and Japan in 1962. The adventure of modernism that Bendre carried from Bombay to B aroda bore fruit in the formation of the Baroda Group of artists in 1956. Along with Bendre, several of the first generation of his students at Baroda were members of the Group, which held regular shows in Bombay, Ahmedabad and Baroda, providing wide exposure to work being produced at the new art school.

...
Wikipedia