On the Altar of Love
| On the Altar of Love | ||||
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| Studio album by downhere | ||||
| Released | August 23, 2011 | |||
| Recorded | January 2011 – March 2011 | |||
| Genre | Contemporary Christian music | |||
| Length | 47:06 | |||
| Label | Centricity | |||
| Producer | Mark Heimermann | |||
| downhere chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Christian Broadcasting Network |   |
| CCM Magazine |   |
| Christian Manifesto | |
| Christian Music Review | |
| Christian Music Zine |  |
| Christianity Today | |
| Cross Rhythms |   |
| Jesus Freak Hideout | |
| Jesus Freak Hideout | |
| Louder Than the Music | |
| New Release Tuesday | |
| New Release Tuesday | |
On the Altar of Love is the sixth official album release from contemporary Christian music band downhere. The album won the 2012 Juno Award for Best Contemporary Christian/Gospel Album of the Year.
Christian Broadcasting Network's Hannah Goodwyn said the album "shows off the vocal talent of co-founders Marc Martel and Jason Germain."
CCM Magazine's Andrew Greer noted that the album "finds the fellas' already superb songwriting advancing to challenge believers' complacency and break beyond the church's walls to spread spiritually-informed social reform."
Christian Manifesto's Lydia Akinola alluded that the album "testifies to the fact that it is still possible to create a full length album of solid tracks. As well as sharing the vocals between them". In addition, she noted the album "is hook-laden, with fantastic drum lines, impressive riffs and impressive compositions which keep us interested."
Christian Music Review's Jay Wright suggested this "is an amazingly creative album, featuring outstanding lyrics that build up Christians in their walk with the Lord."
Christian Music Zine's Elizabeth Hess evoked "the lyrics are worshipful, deep and encourage reflection on the words with a pop-soul style." She evidenced the album "describe[d] many of the characteristics of God, such as love, rest, faithfulness, goodness, creativeness and forgiveness, for example, becoming more of a worship album."
Christianity Today's Kristin Garrett said the band "once again proves the group's vocal versatility and solid sound." She found the music on the album "oscillates between poetry and over-sentimentality; however, the album's overall themes resound with the truth of divine love, redemption and healing in the face of brokenness."
Cross Rhythms's Ben Lloyd gave an illusion of the album being like a "journey through a number of different musical styles whilst retaining the Canadian band's use of worshipful lyrics." He continued his praise with the band has "a reputation for being one of the most thought provoking worship ministries serving the international Church and they retain their creative standards with this set."
Jesus Freak Hideout's Jen Rose stated this album "marries elements of chamber pop, alternative rock, and even a touch of Americana folk for a sound more expansive than expected from a four-piece band. This isn't a highly upbeat record; with the exception of a few tracks, big ballads and serious moments dominate, but the building layers of sound are stirring. Words like "cinematic" or "theatrical" come to mind, but not in a cheesy, contrived sense." Rose gave credence the album was "something more powerful and memorable than the average CCM pop record. While it may be a slightly different sound from Downhere, it's a wonderful addition to their catalog that only gets better with more listens and could be a late summer sleeper hit."
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