"Orally Fixated" | ||||
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Single by Róisín Murphy | ||||
Released | 16 November 2009 | |||
Format | Digital download | |||
Recorded | 2009 | |||
Genre | Electropop, glitch | |||
Length | 4:36 | |||
Label | AWAL, Mickey Murphy's Daughter | |||
Songwriter(s) | Róisín Murphy, Seiji, FunkinEven | |||
Producer(s) | Seiji, FunkinEven | |||
Róisín Murphy singles chronology | ||||
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"Orally Fixated" is a song by Irish recording artist Róisín Murphy. Written by Murphy, Seiji (of Bugz in the Attic) and FunkinEven, the track was released as a digital single on 16 November 2009. On 12 November 2009, The Guardian offered a 48-hour free download of the single on its website.
When asked about the inspiration behind "Orally Fixated" in an interview with Entertainment Weekly, Murphy said:
Well, I was orally fixated during my pregnancy. I had to give up smoking and I was just fixated on what I could put into my mouth instead. So the oral fixation was certainly in my mind, though not for sexual reasons. So that's it really. And of course it's a pop song so you more or less always find a slightly sexual slant on the ideas that are in your brain, because you're writing a pop song. They're kind of sexy. I didn't have the sexual double entendre in my mind. I didn't expect it to be perceived quite as sexually as it has been. I'm actually a bit shy about all that. It surprises me that I wrote a song like that, you know?
"Orally Fixated" received mixed reviews from music critics. Entertainment Weekly writer Joseph Brannigan Lynch noted that the song invokes "the vaguely industrial New Order/Depeche Mode vein of dance-pop", while adding that it "isn't as immediately grabbing as 'Let Me Know,' but Murphy is always at her best when straddling the line between moody electronics and dizzy disco choruses, which is exactly what 'Orally Fixated' does." In a review for Pitchfork Media, Eric Harvey wrote that Murphy and Seiji "try to simultaneously go globular and spare, Seiji filling any empty space with synth stabs and bite-size breakbeats. And, for some reason, a wanky guitar solo toward the end. The whole piece, like the ostensible double-entendre within it, feels strangely scattershot and unsatisfying, especially considering the great work they've done in the past." He also compared the song to Sheryl Lee Ralph's 1984 club hit "In the Evening".