Peter Kien (born Varnsdorf, Czechoslovakia, 1 January 1919, died Auschwitz, October 1944) was a Jewish artist and poet active at the Theresienstadt concentration camp. He died at the age of twenty-five.
The name of Franz Peter Kien, a prominent figure among many outstanding artists imprisoned in the Terezín (Theresienstadt) ghetto during World War II, is usually associated with the opera The Emperor of Atlantis by Viktor Ullmann. In addition to the libretto of that opera, Kien left significant artwork, poetry, and plays.
Kien spent his first 10 years in Varnsdorf, an industrial town near the Czech-German border. During the financial crisis his family moved to Brno. In 1936, Kien graduated with honors from a German high school. The certificate contains special notes on his remarkable skills in writing and drawing. The same year, Kien enrolled in Prof. Willy Novak’s class at the Academy of Fine Arts in Prague and in the graphic design school Officina Pragensis under Prof. Hugo Steiner-Prag.
In 1939, after the racist laws were enforced, Kien was expelled from the Academy, but continued to work at the Officina Pragensis under Prof. Jaroslav Švab). He started to teach art at the Vinohrady synagogue. Married to Ilse Stranska in 1940, he tried to emigrate with his family.
In December 1941, Kien was deported to Terezin. Over a thousand drawings, sketches, designs and paintings originate from his pre-Terezin years. Consigned to the drafting room of the Technical Department in Terezin, Kien produced numerous portraits, landscapes, drawings and genre sketches. His artwork radiates light, hope and warmth. By contrast, his writings of this period are mostly tragic and hopeless.