Plants and Birds and Rocks and Things (album)
| Plants and Birds and Rocks and Things | ||||
|---|---|---|---|---|
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| Studio album by The Loud Family | ||||
| Released | 1993 | |||
| Recorded | 1992 | |||
| Genre | Rock, power pop | |||
| Length | 57:25 | |||
| Label | Alias Records | |||
| Producer | Mitch Easter | |||
| The Loud Family chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |  |
| Rolling Stone |  |
Plants and Birds and Rocks and Things was the 1993 debut album by The Loud Family, a band formed by singer, songwriter and guitarist Scott Miller after the dissolution of his critically acclaimed 1980s band Game Theory. It was Miller's fifth album to be produced by Mitch Easter.
Having dissolved his critically acclaimed 1980s band Game Theory, Scott Miller reemerged in 1993 with his new band, The Loud Family.Plants and Birds and Rocks and Things took its name from a line from the song "A Horse with No Name" by America.
In a 1996 book, Rolling Stone′s Scott Schinder wrote that Scott Miller's "off-center genius didn't skip a beat as he transferred his unique perspective to his new group, whose musical muscularity gave his hook-intensive tunes the sonic clout to make them knockouts."
Rolling Stone′s 1993 review, by rock critic J.D. Considine, stated that "Miller puts his emphasis not on the words but on the melodies, and that pays off big time with songs like 'Sword Swallower,' the power-poppy 'Isaac's Law' and the driving, guitar-crazed 'Jimmy Still Comes Around.'" Compared to Game Theory's work, the lyrics remained "obsessed with arcana," but Considine concluded that "when his songs boast choruses as catchy as the one in 'Take Me Down (Too Halloo),' odds are that you won't really care what the lyrics mean."
According to Spin, "Sonically, the Loud Family offers a more guitar-heavy approach than Game Theory did, but Miller's songs and voice are immediately identifiable. Interpersonal relationships are discussed in sweet, brusque terms."Spin reviewer Byron Coley cited "the power of the sweet science that exists in Miller's songs," despite "interspersed jangle and woof."
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