Rena Riffel

Rena Riffel
Rena Riffel at 7th Annual WeHo Awards, 2008
Born	Rena Lynn Riffel (1969-03-05) March 5, 1969 (age 48) Los Angeles, California, United States
Occupation	Actress, dancer, singer, model, director, producer, writer, composer
Years active	1988–present

Rena Riffel (born March 5, 1969) is an American actress, singer, dancer, model, writer, producer, and director. She is known for her supporting roles in films such as Showgirls, Striptease, and Mulholland Drive.

Riffel landed her breakthrough role in the 1995 film Showgirls starring Elizabeth Berkley, Gina Gershon, and Kyle MacLachlan. Initially reading for the lead role of Cristal Connors, Riffel was cast in the supporting role of Penny/Hope after director Paul Verhoeven decided that she was too young to play an aging showgirl.

While on the set of Showgirls, Riffel approached the music supervisor with a song she recorded, "Deep Kiss". The music supervisor tested the song on the production office (without telling them it had been written by one of the actresses) to determine if it was suitable for the film. Director Paul Verhoeven listened to the song and decided to include it in the lap dance scene at the Cheetah strip club.

Although an initial box office failure, Showgirls enjoyed success in the home video market, generating more than $100 million in video rentals and became one of MGM's top 20 all-time best sellers.

For the 2004 re-release as a DVD limited edition box set, Riffel, along with cast members Lin Tucci and Patrick Bristow, had their hand prints and names put in cement in front of the Hollywood Vista Theater at the red carpet event where they were also interviewed by Access Hollywood. Riffel and Bristow were also special guests at Peaches Christ's Midnight Mass midnight screening of Showgirls in 2008 in San Francisco, California. They were interviewed on stage after the live performance of the Goddess volcano dance performed by drag queens in gold lamé and featuring Peaches Christ as Goddess.

When asked if she expected Showgirls to produce such a cult legacy, Riffel replied, "No. I went into it thinking it would be a really erotic, serious, shocking exposé. People would be sitting on the edge of their seats from suspense. [... But] some people were trying to play straight comedy – I played my character with comedy; I was hoping to get a laugh – but no one was acting with tongue in cheek. I know that everyone went into it thinking it would be like Basic Instinct. [...] Maybe it's Verhoeven. Even [Basic Instinct] seems kind of campy now [...] I think it's something with European filmmakers. I think – and this is my theory – [...] that there's something that European filmmakers have, a punched-up, extreme vibe. Everything's extreme."