Renato Marino Mazzacurati | |
---|---|
Born | 1907 Galliera, Italy |
Died | 1969 Parma, Italy |
Nationality | Italian |
Education | Scuola romana |
Known for | Painting, Sculpture |
Notable work |
Imperatori e Imperatrici (Emperors & Empresses) |
Movement | Contemporary |
Patron(s) | Roberto Longhi |
Imperatori e Imperatrici (Emperors & Empresses)
Monumento al Partigiano (Monument to the Partisan)
Lottatori (Wrestlers)
Renato Marino Mazzacurati (1907-1969), was an Italian painter and sculptor belonging to the modern movement of the Scuola romana (Roman School), of eclectic styles and able within his career span to represent the artistic currents of Cubism, Expressionism, and Realism, thus showing a distinctive open mind towards Art and its multiple aspects. In fact, he believed that Art could sustain social functions.
Moved to Rome in 1926, he befriended Scipione, Mario Mafai and Raphaël, creating with them an artistic movement called by Italian scholar Roberto Longhi the Scuola di via Cavour or Scuola Romana.
In 1931 Mazzacurati went to Paris, where he became particularly interested in the works of Rodin, Matisse and Picasso, as both his pictorial production (between 1931–1935) and his sculptures show, with their expressionism that forces the physical structure (e.g., see Ritratto del conte N. (Portrait of Count N.), 1936) or deforms it into monstrously grotesque figures (e.g., see Imperatori e Imperatrici (Emperors & Empresses), 1942–1943). Subsequently, Mazzacurati tended towards a cruder realism, joining in 1947 the "Fronte Nuovo delle Arti". His other work include Martyrs’ Monument in Beirut (1960),Monumento al Partigiano (Monumento to the Partisan) in Parma (1964) and the Monumento alle quattro giornate (Monument to the Four days of Naples, in Naples.