Richard Bartholomew
| Richard Bartholomew | |
|---|---|
 |
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| Born |
29 November 1926 Tavoy, British Burma |
| Died | 11 January 1985 (aged 58) New Delhi, India |
| Occupation | Art critic |
| Ethnicity | Burmese |
| Citizenship | Indian |
| Spouse | Rati Bartholomew |
| Children |
Pablo Robin |
| Website | |
| www |
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Richard Lawrence Bartholomew (1926–1985) was an art critic, photographer, painter, poet and writer.
Richard Bartholomew fled from Tavoy (Dawei), Burma (Myanmar), where he was born, during the Second World War. To escape the Japanese capture of Burma and the imminent persecution on account of their Christian names, Bartholomew fled with his family, walking the General Stilwell Road from Mandalay to Ledo in upper Assam, India. His schooling at St. Paul's School in Rangoon (Yangon) was interrupted because of the Japanese invasion and Bartholomew finished high school in Delhi's Cambridge School. He received his Bachelor's and Master's Degree from St. Stephen's College, Delhi in 1950. While at St. Stephens, he met Rati Batra, his future wife, who was herself a refugee from Pakistan who came to India during the Partition in 1947. Bartholomew lived in India as a stateless citizen until 1967 when he gained Indian citizenship, thereby closing all possibilities of returning to Burma which had become a dictatorship from the early 1960s.
Bartholomew pursued a career not only as an art critic but also as a writer, poet, painter and curator. Solo shows of his work were held in Delhi and Bombay in the 1950s. Between then and the 1970s, he keenly documented life around him through photography. Though he rarely exhibited his photographic work during his lifetime, his pictures intimately portrayed his family and his circle of artist friends and associates and his travels in India and the US.
Bartholomew was a pioneering art critic in that he was one of the first to initiate dialogue with the painters. He fostered a sense of community within the artists and communicated their ideals to the public who were not entirely receptive or convinced of the daring, artistic exploration of India's Progressive Art Movement.
Through numerous reviews published from the early 1950s until the late 1970s in publications like The Indian Express, The Times of India and Thought, Bartholomew documented the artistic trajectories of painters such as Francis Newton Souza, Tyeb Mehta, Manishi Dey, Biren De, Ram Kumar, Krishen Khanna, Akbar Padamsee, SH Raza, Sailoz Mookherjea, Bhupen Khakkar, Satish Gujral; sculptors like Ramkinkar Baij, Dhanraj Bhagat, Chintamoni Kar, Somnath Hore, Sankho Chaudhuri; graphic artists including Kanwal Krishna, Devayani Krishna, Krishna Reddy, Jagmohan Chopra, Jyoti Bhatt as well as renowned photographers Raghu Rai and TS Satyan.
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