Sahr Ngaujah

Sahr Ngaujah
Ngaujah in June 2012
Born	United States
Nationality	American
Other names	Sahr
Occupation	Theater director, actor
Known for	Last Resort

Sahr Ngaujah is an American theater director and actor, based in Amsterdam, Netherlands.

Ngaujah was born in the United States and is of Sierra Leonean ancestry. He began his career in theatre, working in Atlanta with the Freddie Hendricks Youth Ensemble of Atlanta, through 7Stages Theatre in Little 5 Points. Freddie has been Sahr’s mentor and friend since 1992.

As an actor Sahr has had a rich career from the early age of 15, and has worked with the likes of Gerrit Timmers (Onafhankelijk Toneel, Rotterdam), Falk Richter (Berlin Schaubühne, Berlin), Del Hamilton (7 Stages, Atlanta), Walter Chakela (Windybrow, Johannesburg), Tim Habeger (PushPush Theater & Film, Atlanta), Made n da Shade/MC (Amsterdam). Sahr has also maintained a presence in the world of film since the late 1990s, with appearances in Passing Glory (TNT), A Lesson Before Dying (HBO), How I Spent My Summer Vacation (Castle Way), among other films, and more recently in The Signal (Magnolia/Pop Films, 2008), Stomp the Yard (Sony/Rainforest Films – Jan. 2007), and (Blood Done Sign My Name, 2009 release).

Sahr began as a director under the guidance of Freddie Hendricks, working as an assistant director on FH Y.E.A. productions, playing for audiences ranging from the Atlanta Black Arts Festival to the Tweetakt Festival 2000 Antwerp.

Since relocating to Amsterdam in 2001 Sahr has worked as a theater director and developer with Rotterdam’s Lef and ACT Festival, and as a collaborator with Made n da Shade. He completed his studies at Dasarts in Amsterdam 2006, under the direction of Alida Neslo and Monique Toebosch. Under the primary influence of his work with Freddie Hendricks, as it relates to his creating of original works, integrating music into every layer of the developmental process, together with what he gained through close work with Made n da Shade and their extensive exploration into the weaving of interactive design technology throughout the base fibers of their theatre, Sahr used the laboratory of Dasarts and his encounters with Shu Lea Chang and Germaine Acogny to search for his own unique language and process, in an effort to lay a foundation that will hopefully allow him to all ways break new ground in his personal approach as a Maker.