Salvator Mundi, Latin for Saviour of the World, is a subject in iconography depicting Christ with his right hand raised in blessing and his left hand holding an orb surmounted by a cross, known as a globus cruciger. The latter symbolizes the Earth, and the whole composition has strong eschatological undertones.
The theme was made popular by Northern painters such as Jan van Eyck, Hans Memling, and Albrecht Dürer. There are also several versions of the theme attributed to Titian, notably the one in the Hermitage Museum. A painting of the subject has been attributed to Leonardo da Vinci in 2011.
Salvator Mundi is represented as a central motif in artworks since the 15th century such as:
Carlo Crivelli, Cristo benedicente, c. 1472
Antonello da Messina, Salvator mundi, 1465 - 1475
Giovanni Bellini, Cristo benedicente, c. 1465-1470
periphery of Callisto Piazza da Lodi, Cristo benedicente, 1501-1550
Raphael, Cristo benedicente, c. 1506
Cima da Conegliano, 1496-1497
Leonardo da Vinci, Salvator Mundi (c. 1500)
Andrea Previtali, Salvator Mundi (1519)