Samuel Ireland

Samuel Ireland (21 May 1744 – July 1800), British author and engraver, is best remembered today as the chief victim of the Ireland Shakespeare forgeries created by his son, William Henry Ireland.

He began life as a weaver in Spitalfields, London, but soon took to dealing in prints and drawings and devoted his leisure to teaching himself drawing, etching, and engraving. He made sufficient progress to obtain a medal from the Society of Arts in 1760. In 1784 he appears as an exhibitor for the first and apparently only time at the Royal Academy, sending a view of Oxford. Between 1780 and 1785 he etched many plates after John Hamilton Mortimer and Hogarth. Etched portraits by him of General Oglethorpe (1785) and Thomas Inglefield, an armless artist (1787), are in the print room of the British Museum, together with etchings after Ruisdael (1786) and Teniers (1787) and other masters, and some architectural drawings in water-color.

Meanwhile his taste for collecting books, pictures, and curiosities gradually became an all-absorbing passion. In 1794 Ireland proved the value of a part of his collection by issuing "Graphic Illustrations of Hogarth, from Pictures, Drawings, and Scarce Prints in the Author’s possession." Some of the plates were etched by himself. A second volume appeared in 1799. The work is of high interest, although it is possible that Ireland has assigned to Hogarth some drawings by other artists.

In 1790 Ireland published A Picturesque Tour through Holland, Brabant, and part of France made in the Autumn of 1789, London (2 vols. Roy. 8vo and in large-paper 4to). It was dedicated to Francis Grose and contained etchings on copper in aqua-tinta from drawings made by the author "on the spot." He paid at least one visit to France, and the charge brought against him by his enemies that he was never out of England is unfounded. A second edition appeared in 1795. The series, which was long valued by collectors, was continued in the same form in Picturesque Views on the River Thames, 1792 (2 vols., 2nd ed. 1800-1); in Picturesque Views on the River Medway, 1793 (1 vol.); in Picturesque Views on the Warwickshire Avon, 1795 (1 vol.); and in Picturesque Views on the River Wye, 1797 (1 vol.). In 1800, just after Ireland’s death, appeared Picturesque Views, with an Historical Account of the Inns of Court in London and Westminster, and the series was concluded by the publication in 1824 of Picturesque Views on the River Severn (2 vols.), with colored lithographs, after drawings by Ireland, and descriptions by T. Harral. Ireland had announced the immediate issue of this work in his volume on the Wye in 1797.

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