Six String Nation

Six String Nation is a guitar created by award-winning writer and broadcaster Jowi Taylor. Built from 64 pieces of bone, metal, wood, stone and fabric, the guitar was made as a symbol of national unity, to explore Canadian identity, and to connect people from all regions in Canada. The idea to build the guitar was conceived by Taylor the night before the 1995 Quebec referendum on sovereignty, when it became apparent to him that the notion of Canadian identity was centred only around English and French, ignoring anybody else. The guitar - nicknamed Voyageur - made its official debut on July 1, 2006, at the Canada Day celebrations on Parliament Hill in Ottawa. Over a period of eleven years, Taylor collected pieces for the guitar from every province and territory in Canada. It was built by luthier George Rizsanyi in his workshop near Pinehurst, Nova Scotia.

The Six String Nation guitar made its debut on Canada Day 2006, where it was played by Stephen Fearing, Colin Linden, Tom Wilson, and Stars. It has since been played by musicians such as Feist and Bruce Cockburn. It received the nickname Voyageur from Lt. Col. Susan Beharrial at a ceremony launching the 2008 Festival du Voyageur in Winnipeg-St. Boniface. Following its debut performance, Taylor and the Six String Nation guitar made a 15-stop tour that summer stopping in communities where some of the pieces had originated which, along with subsequent visits to communities and encounters with people across Canada, were chronicled with photos in a book by Taylor in 2009 (Douglas & Mcintyre publishers). In honour of the guitar, a fifty-cent coin was created by the Royal Canadian Mint in 2009. It is in the triangular shape of a guitar pick and has a hologram on reverse.

The guitar is made from 64 pieces of bone, metal, wood, stone and fabric, representing every province and territory. The guitar's neck has wood from the deck of the Bluenose II, a bagel shibba from Montreal, and oak from a ceiling joist from the St. Boniface Museum in Winnipeg, a former convent of the Grey Nuns and the building where Louis Riel attended school. The wood used from the ceiling joist was estimated to be 400 to 500 years old when it was procured for the construction of the St. Boniface Museum the 1840s.

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