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Songs from the Shipyards

Songs from the Shipyards
Songs from the Shipyards.jpg
Soundtrack album by The Unthanks
Released 5 November 2012 (2012-11-05) (UK)
Genre Folk music
Film soundtrack
Length 41:21
Label Rabble Rouser
Producer Adrian McNally
The Unthanks chronology
The Unthanks with Brighouse and Rastrick Brass Band
(2012)The Unthanks with Brighouse and Rastrick Brass Band2012
Songs from the Shipyards
(2012)
Mount the Air
(2015)Mount the Air2015
Professional ratings
Review scores
Source Rating
The Observer 4/5 stars
Metro 4/5 stars
The Independent 4/5 stars
Daily Express 3/5 stars
The Skinny 3/5 stars

Songs from the Shipyards, the seventh album by English folk group The Unthanks, was released on 5 November 2012. The album is designated Vol. 3 in The Unthanks' Diversions series and follows on from Vol. 1 (The Songs of Robert Wyatt and Antony & The Johnsons), released in November 2011 and Vol. 2 (The Unthanks with Brighouse and Rastrick Brass Band), released in July 2012.

It is a studio-recorded album of songs from a soundtrack, compiled by The Unthanks, which was first performed live in February 2011 at Newcastle upon Tyne’s Tyneside Cinema to accompany the showing of a documentary film by Richard Fenwick about the history of shipbuilding on the Tyne, Wear and Tees. The album includes a cover version of Elvis Costello's "Shipbuilding" and songs written by Graeme Miles, Alex Glasgow, Archie Fisher, John Tams, Peter Bellamy and Jez Lowe, plus a centrepiece track, "The Romantic Tees", written by Adrian McNally.

The album received four-starred reviews in The Observer, The Independent and Metro.

In a four-starred review The Observer's Neil Spencer described it as "a stark creation, using little more than piano, violin and voices" but said that its minimalism "lends poignancy to songs and poetry narrating the glory and grime of a vanished era". In another four-starred review, Andy Gill for The Independent referred to "the wistful blend of piano and ambient sounds" on "The Romantic Tees" and Becky Unthank's "soft timbre" and Rachel Unthank's "more ingenuous tone" on "Black Trade" and "A Great Northern River".


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