Spirit of the American Range | ||||
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Studio album by Oregon Symphony | ||||
Released | February 10, 2015 | |||
Recorded | April 13–15, 20–22, 2013; January 5, 2014 | |||
Venue | Arlene Schnitzer Concert Hall, Portland, Oregon | |||
Genre | Classical | |||
Length | 65:21 | |||
Label | Pentatone | |||
Producer | Blanton Alspaugh | |||
Oregon Symphony chronology | ||||
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Spirit of the American Range is a classical music album by the Oregon Symphony under the artistic direction of Carlos Kalmar, released by Dutch record label Pentatone on February 10, 2015. The album was recorded at the Arlene Schnitzer Concert Hall in Portland, Oregon in April 2013 and January 2014. It contains works by three American 20th-century composers: Walter Piston's ballet suite from The Incredible Flutist, George Antheil's "A Jazz Symphony", and Aaron Copland's Symphony No. 3. The recording was the third by the orchestra under Kalmar's leadership, following the highly successful Music for a Time of War (2011) and This England (2012). Spirit of the American Range received a Grammy Award nomination for Best Orchestral Performance, and its producer, Blanton Alspaugh, was nominated for Producer of the Year, Classical.
Spirit of the American Range was released by the Dutch record label Pentatone in February 2015, following a pre-release by the Oregon Symphony on January 8. The album contains compositions by three 20th-century American composers: the ballet suite from The Incredible Flutist by Walter Piston, "A Jazz Symphony" by George Antheil, and Symphony No. 3 by Aaron Copland. These works were recorded live at the Arlene Schnitzer Concert Hall in Portland, Oregon. The Piston suite was recorded on April 13–15, 2013, "A Jazz Symphony" was recorded on April 20–22, 2013, and Copland's symphony was recorded on January 5, 2014. The album was the third recording by the orchestra during Carlos Kalmar's tenure, following the highly successful Music for a Time of War (2011) and This England (2012). Like these albums, Spirit of the American Range was recorded in hybrid multichannel (surround sound) Super Audio CD format by Soundmirror recording engineers John Newton and Blanton Alspaugh. Mark Donahue served as the mixing and mastering engineer. The album's liner notes are credited to Elizabeth Schwartz with German translations by Franz Steiger; its cover photography was taken by Martha Warrington, and it features designs by freshu. Angelina Jambrekovic served as product manager.