Texas Flood | ||||
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Studio album by Stevie Ray Vaughan and Double Trouble | ||||
Released | June 13, 1983 | |||
Recorded | November 22–24, 1982 Down Town Studio (Los Angeles, California) |
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Genre | Blues, Texas blues, electric blues | |||
Length | 38:48 | |||
Label | Epic | |||
Producer | Stevie Ray Vaughan and Double Trouble, Richard Mullen | |||
Stevie Ray Vaughan and Double Trouble chronology | ||||
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Singles from Texas Flood | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Robert Christgau | (B) |
Entertainment Weekly | (B+) |
Guitar World | (favorable) |
Rolling Stone |
1983 2004 |
Texas Monthly | (favorable) |
Virgin Encyclopedia | |
Yahoo! Music | (favorable) |
Texas Flood is the first studio album by the American blues rock band Stevie Ray Vaughan and Double Trouble, released on June 13, 1983 by Epic Records. The album was named after a cover featured on the album "Texas Flood", recorded by blues singer Larry Davis in 1958. Produced by the band and recording engineer Richard Mullen, it was recorded in only three days at Jackson Browne's personal recording studio in Los Angeles. Vaughan wrote six of the ten tracks on Texas Flood. Two singles were released from the album. A music video was made for "Love Struck Baby" and received regular rotation on MTV in 1983. In 1999, Texas Flood was reissued with five bonus tracks including an interview segment, studio outtake, and 3 live tracks recorded on September 23, 1983 at The Palace, Hollywood, California. In 2013, The album was reissued again, this time with two CDs in celebration of the album's 30th anniversary. Disc 1 is the Original album with one bonus track, Tin Pan Alley, which was first released on the 1999 reissue. Disc 2 is a previously unreleased concert recorded at Ripley's Music Hall in Philadelphia, Pennsylvania on October 20, 1983.
Vaughan and Double Trouble had performed at the Montreux Jazz Festival in July 1982 and caught the attention of musician Jackson Browne. He offered the band three days of free use in his Los Angeles recording studio. During Thanksgiving weekend, they accepted Browne's offer and recorded a demo. It was heard by record producer John H. Hammond, who had discovered artists such as Aretha Franklin, Bob Dylan, and Bruce Springsteen among many others. He presented the demo to Greg Geller, head of A&R at Epic Records, and arranged a recording contract.