The New Centurions | |
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Directed by | Richard Fleischer |
Produced by |
Robert Chartoff Irwin Winkler |
Screenplay by | Stirling Silliphant |
Based on |
The New Centurions by Joseph Wambaugh |
Starring |
George C. Scott Stacey Keach Jane Alexander Scott Wilson Rosalind Cash |
Music by | Quincy Jones |
Cinematography | Ralph Woolsey |
Edited by | Robert C. Jones |
Production
company |
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Distributed by | Columbia Pictures |
Release date
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Running time
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103 minutes |
Country | United States |
Language | English |
Box office | $7.45 million (US/Canada rentals) |
The New Centurions is a 1972 crime drama film based on the novel by policeman turned author Joseph Wambaugh.
It stars George C. Scott, Stacy Keach, Scott Wilson, Jane Alexander, Rosalind Cash, Erik Estrada, and James Sikking, and was directed by Richard Fleischer.
Three rookie cops, Roy Fehler, Gus Plebesly, and Sergio Duran, report for duty with the Los Angeles police department. Roy is married with a daughter and intends to eventually become a law student. Gus is a father of three. Serge is a native of East L.A., who never expected to end up patrolling its streets.
Each is assigned a veteran partner. Roy's is the greatly experienced Andy Kilvinski, who has been on the force for nearly a quarter-century and has his own unique style of law enforcement. For example, he will drive a group of hookers, who he has supplied with liquor, around the city streets for hours, in a paddy wagon, simply to keep them off the streets for a night.
Gus rides with Whitey Duncan. As they answer a burglary call, at a market, Gus opens fire on a suspicious figure in a dark alley, only to discover, to his horror, that it is the owner of the store.
Roy begins to frustrate his wife, Dorothy, by becoming obsessed with police work, neglecting his family, and dropping out of law school. He likes the life on the street. But during a convenience store holdup, Roy tells a couple in a parked car to move. Because he was careless, he does not realize that they are the get-away crew for the robbers. Without warning, the man shoots Roy with a sawed-off shotgun before escaping, leaving him gravely wounded on the sidewalk.
Gus and Serge discuss their fear of being shot. Serge temporarily partners with Andy, and together they handle a call involving a slum landlord. During this encounter, Andy becomes enraged and threatens the landlord for exploiting the "wetbacks" living in the apartment, in deplorable conditions. Roy gradually recovers and quickly encounters a shootout, but doesn't flinch.