Things to Do When You're Goth in the Country
| Author | Chavisa Woods |
|---|---|
| Country | USA |
| Language | English |
| Publisher | Seven Stories Press |
|
Publication date
|
16 May 2017 |
| Pages | 224 |
| ISBN |
Things to Do When You're Goth in the Country & Other Stories is a 2017 collection of short stories by the American writer Chavisa Woods published by Seven Stories Press. Its stories focus on the lives of rural Americans, especially how their lives are affected by gender, class, and sexuality. The author Samantha Hunt described the book as "it's Murakami meets meth heads," in reference to one of the stories where the narrator returns home to find her family struggling with local meth dealers.
Woods has previously published a collection of short stories and a novel as well as several poems and short stories in various journals (including the title story in 2013).
Prior to the start of the work's book tour, Woods arranged a campaign through the crowdfunding platform GoFundMe to sell signed copies of her books at a discount prior to the main release in order to help fund her tour, hoping to be able to visit more cities than she would have been able purely from the funds afforded by the book's publisher.
The title story was awarded the Cobalt Writing Prize for Fiction on its original publication in 2013.
Many of the stories center around queer characters and particularly focus on issues of class, gender, and sexuality, which The Rumpus reviewer Erin Wilcox said might seem to be at the expense of analyzing racial issues, but Wilcox also noted that many of the stories deal with race in the gothic tradition as it has been explored by critics like Toni Morrison in her book Playing in the Dark. Despite their attention around these issues, the "ambivalence" of Woods's writing prevents the stories from being reduced to "rhetoric," as another reviewer noted, they are never "only" about queerness, but rather center around characters for whom that is a part of their identity.
Corinne Manning of Electric Lit considered the political nature of the collection, saying that the stories seemed "like they were ready made for a post 2017 election," but are in reality of "the world that's always been here."
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