Titanic: The Musical

Titanic
Poster for the 1997 Broadway production
Music	Maury Yeston
Lyrics	Maury Yeston
Book	Peter Stone
Basis	The sinking of the RMS Titanic
Productions	1997 Broadway 1999 U.S. Tour 2001 Netherlands, Amsterdam 2002 Germany, Hamburg 2006 Toronto 2006 Australia 2007 Japan 2008 Finland 2013 Off-West End 2016 Off-West End
Awards	Tony Award for Best Musical Tony Award for Best Score Tony Award for Best Book

Titanic is a musical with music and lyrics by Maury Yeston and a book by Peter Stone that opened on Broadway in 1997. It swept the 1997 musical Tony Awards winning all five it was nominated for including the award for Best Musical and Best Score (Yeston's second for both). Titanic is set on the ocean liner RMS Titanic which sank on its maiden voyage on April 15, 1912.

The discovery of the wreck of the RMS Titanic in 1985 attracted Yeston's interest in writing a musical about the famous disaster. "What drew me to the project was the positive aspects of what the ship represented – 1) humankind's striving after great artistic works and similar technological feats, despite the possibility of tragic failure, and 2) the dreams of the passengers on board: 3rd Class, to immigrate to America for a better life; 2nd Class, to live a leisured lifestyle in imitation of the upper classes; 1st Class, to maintain their privileged positions forever. The collision with the iceberg dashed all of these dreams simultaneously, and the subsequent transformation of character of the passengers and crew had, it seemed to me, the potential for great emotional and musical expression onstage."

Stone and Yeston knew that the idea was an unusual subject for a musical. "I think if you don't have that kind of daring damn-the-torpedoes, you shouldn't be in this business. It's the safe sounding shows that often don't do well. You have to dare greatly, and I really want to stretch the bounds of the kind of expression in musical theater," Yeston explained. Yeston saw the story as unique to turn-of-the-century British culture, with its rigid social class system and its romanticization of progress through technology. "In order to depict that on the stage, because this is really a very English show, I knew I would have to have a color similar to the one found in the music of the great composers at that time, like Elgar or Vaughan Williams; this was for me an opportunity to bring in the musical theater an element of the symphonic tradition that I think we really haven't had before. That was very exciting."