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Unknown Territory

Unknown Territory
Unknown territory.jpg
Studio album by Bomb the Bass
Released 1991
Genre Dance
House
Hip hop
Label Rhythm King Records
Bomb the Bass chronology
Into The Dragon
(1988)Into The Dragon1988
Unknown Territory
(1991)
Clear
(1995)Clear1995

Unknown Territory is the second studio album from U.K. dance act Bomb the Bass. It was released in 1991 under label Rhythm King Records.

In 1991 "Love So True" with vocals from Loretta Heywood was the first single of new Bomb the Bass material. It suffered under hastily imposed (and unofficial) censorship broadcast regulations, as the outbreak of the First Gulf War prompted UK broadcasters, especially the main national music station BBC Radio 1, to blacklist a variety of songs and acts deemed potentially controversial due to their content or titles. The band name Bomb the Bass was considered to fall into this category, along with that of Massive Attack. Copies of the "Love So True" single were re-issued credited to Tim Simenon instead, but the resulting confusion may have impeded the single's chart chances.

With the Bomb the Bass moniker restored, and an album ready to go, band activity once again ground to a halt, when the collection, now titled Unknown Territory, was delayed when Pink Floyd refused to allow a section of "Money" to be sampled on one of the album's tracks.

With the contentious Pink Floyd sample removed, the album campaign revved up once again. Second single "Winter in July" fared much better, subsequently becoming a summer-fuelled UK Top 10 hit. The track, co-written with Guy Sigsworth and vocalist Loretta Heywood featured several prominent samples from the Japan track "Ghosts" (as featured on the band's final studio album, Tin Drum). This act of inclusion-by-sampling saw Simenon following the hip hop ethos of paying homage to heroes on record. By referencing the David Sylvian-led band's influential textual and ambient work many years before, Simenon was giving notice of his intention to help push hip hop-oriented dance music in the direction that would become trip hop.


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